The woodcut creation in the Yan’an period of Gu yuan was not only an artistic change driven by the solution of the problem of nationalization of woodcut,but also an artistic change driven by the demand of revolutionary literature and art to meet the unity of art for the masses and the effect welcomed by the masses.The construction of woodcut creation method system was completed in the interaction and integration of dual drivers.What was the method?Mr.Gu yuan did not make a specific written statement,and this issue did not attract the attention of the theorists.Returning to the works themselves,the author adopts the method of combining image style analysis with literature research to make a comparative analysis of the works in the three stages of Gu yuan,namely,1938-1940,1940-1942 and 1942-1945.The specific methods and steps are summarized as follows: first,take foreign woodcuts as a model to establish the initial formal language awareness;Then take life as the model,study light,shadow and spatial profundity,and realize the visual transformation of the life in the border area with realism;Then,with the help of strong light,we can find the fit point between light and shadow molding method and male line engraving method,and find the fit point between the three-dimensional and the plane by leaving residual knife mark,find the fit point between the depth and the plane by using the principle of anti perspective,so as to realize the new realism and complete the oriental aesthetic transformation of woodcut;At last,it mainly uses the form of woodcut New Year pictures for reference,integrates Chinese and Western multiple factors,and uses the strong light effect,perspective and anti perspective related principles to make various possible attempts on the integration of plane and depth space systems,so as to realize the folk transformation of woodcut.Through this method and step,Gu yuan constructed a woodcut creation method system of drawing lessons from the model form-visual and aesthetic transformation-folk transformation,which has a distinctive synthesis of theory and form;The principle of the unity of motivation and effect also promoted the formation of the innovative mechanism of Gu yuan’s new ideas-new themes-new forms-new ways of expression-new skills.Mao Zedong’s revolutionary literary and artistic thought and methodology played a fundamental guiding role in the construction of Gu yuan woodcut creation method system.. |