A Study On The Theory And Criticism Of Drama Nationalization During The War Of Resistance Against Japan

During the War of Resistance against Japan,Mao Zedong proposed to combine Marxism with the specific practice of our country and to realize communism through certain national forms.He advocated the creation of works on "the Chinese style and style that the Chinese people like to see and hear," thus developing into the problem of the "national form" of literature and art,which has aroused controversy among theatrical workers on the issue of "national form." It promotes the theory and criticism of drama nationalization,thus promoting the national development of drama art.In the war years,the specific realistic environment improved the upsurge of historical drama creation,produced "Qu Yuan" and other excellent historical drama works,and was able to put on the stage performance.The patriotic feelings and national spirit embodied in the characters in the play have aroused a strong response from people,which has triggered the debate between the shaping of the authenticity and artistry of the historical drama,the shaping of characters and images,and the pursuit of historical poetry and historical spirit.The theory and criticism of the nationalization of historical drama formed by the debate provides theoretical support for the creation of historical drama and promotes the maturity of the art of historical drama.During the Anti-Japanese War,Chen Quan's "Wild Rose" appeared on the stage,which also attracted people's strong attention.At the same time,because of the shaping of the images of spies and traitors in his works,people constantly criticize the Wild Rose,and there are many debates about the theme,dramatic conflict and character image of the Wild Rose.It not only improves the development of drama nationalization theory and criticism,but also promotes the progress of drama art.