Creation With Body Presence: Research On Digital Interactive Performance Ar

Influenced by factors such as the turn towards theater,the body,and technological development in the 20 th century,avant-garde artists in the field of performing arts have gradually attempted to integrate new technological media into live performances,giving rise to a new form of live performance art-interactive performance art.This form combines interactive technology with live performance,integrating formerly separate and independent art styles,breaking down traditional boundaries of performance forms,and conveying diverse artistic ideas through the integration of various media.The comprehensive application of digital technology has made interactive performance art one of the typical forms of contemporary technology-based art,and the fusion of media based on digital technology constantly evolves and innovates."Form is never just an external garment that can be put on content at will",but a living form-digital interactive performance is an active interactive process.Interactive performance art embodies thought and feeling through bodily performance,while the interactive medium emphasizes the body while changing the context of experience and action,evoking people’s attention to their own relationships with structure,material,and other aspects.Interactive technology endows performance art with a flexible and versatile live presentation,completely changing people’s perceptions of the creation,expression,and reception of performing arts.The first chapter of this article traces the origins and development of interactive live performance art from both cultural and technological contexts.Social development,cultural changes,and conceptual progress have encouraged people to incorporate constantly evolving technology into live performances,gradually forming interactive live performance art.The second chapter examines the contemporary phenomenon of digital interactive performance,discussing the "specific domain" of interactive performance shaped by the medium and environment,analyzing the interactive thinking and the presentation styles of music,dance,and theater,and demonstrating the contemporary face of this art form through the organization of domain,technology,and style.Chapter Three uses theoretical methods to analyze the unity of subjectivity in performance behavior and the embodiment in performance,and further discusses the relationship between the body and technology in interactive performance.The embodiment of the body in the live creation and the reconstruction of subjectivity expressed through digital media.The expression of the body based on digital extension and media always has a meaning negotiation relationship: on the one hand,media shapes the pattern of performance architecture,and artists use montage audio-visual language to highlight bodily expression;on the other hand,media strengthens the audio-visual elements of the spectacle of the performance stage,which distracts some attention from the body.Thus,the constituent elements of the performance scene are connected through interactive technology,and it is particularly important for the elements to have a comprehensive and dynamic dialogue through the body.Based on the guidance of phenomenology and embodied cognition theory,this paper discusses the interactive relationship between the body and media,clarifying the basic viewpoint that the core of digital interactive performance art is the live creation of the body.Based on this viewpoint,Chapter Four proposes the construction of spatial,narrative,and aesthetic aspects in digital interactive performances from the perspective of interstitial thinking.Interstitial thinking is a way of thinking that is both interconnected and inclusive,advocating the acceptance of others and the coexistence of self and others.In the construction of interactive performance,the "spirit of place" guides the formation of alliances between media,creating an "interactive storytelling space" together with the environmental space."Shared sensing" is used to respond to the narrative construction of various texts when the body interacts with multiple media.From the perspective of the subject-interstitial theory field of acceptance aesthetics,this paper explores the aesthetic of interactive performance based on the acceptance subject,and analyzes the two modes of sensory "aesthetic acceptance" and participatory "aesthetic acceptance" respectively,thereby constructing the aesthetic acceptance mode of interactive performance.This paper proposes to start with the core concept of artistic creation with the body in presence,use the active and productive power of the body’s ontology in communication to mobilize technology,and create free art that always has "embodied shared sensing."This thesis proposes a creative concept of interactive performance art centered around "physical presence" by tracing the development history of interactive performance art and examining its contemporary appearance.From the perspective of body phenomenology,combining the research results of cognitive science and philosophy of technology,this paper discusses the "body presence creation",clarifies the core position of the body in the process of interactive performance,and emphasizes the use of the body’s initiative and productive forces in communication to mobilize technology,so as to obtain the "embodied co perception" of media feedback,thus producing artistic creation that echoes the media.On this basis,the article proposes to construct the space,narrative and aesthetic aspects of interactive performance creation through inter thinking mode,and proposes a interaction design thinking mode with reference significance through rational thinking of interactive performance based on philosophical connotation and aesthetic concepts.