Research On Auspicious Culture In Huizhou Factional Architecture And The Application In Modern Design Of Art

Huizhou lies at the foot of Hunag Mountain, south of Anhui Porvince, surrounded by Xin an River. Huizhou factional architecture, as a representative of "White wall and black tiles", has unique characteristics of regional culture. Architecture is a carrier of culture, and the pursuits and dreams of ancient Huizhou people as well as the courtesy priorities and social orders of a patriarchal clan system in China is reflected in Huizhou factional architecture from various aspects, which leads to a richness of auspicious culture in Huizhou factional architecture.This thesis had related documents as theoretical basis, and explored geomantic culture, religious culture, moral culture, etc, which embodied in the auspicious culture in Huizhou factional architecture from the angle of the humanities and arts after on-the-spot investigation. This thesis chooses auspicious culture of Huizhou factional architectures as its subjects to analyze the application, inheritance and innovation of the auspicious culture in Huizhou factional architecture in the modern design of art. This article firstly cardings the historic origin of Chinese auspicious culture, and furtherly annotates the connotation of auspicious culture. Then, from aesthetic and cultural factors, the specific performance of auspicious culture in Huizhou factional buildings is discussed furtherly ang wholly. The article furtherly analyzes the aesthetic expression and the method of graphic meaning of the auspicious graphics in Huizhou factional architecture. Tradition can be as a kind of resource, in the new historical conditions and the new cultural background, the auspicious culture in Huizhou factional architecture needs separation, reconstruction and update from content to form through change and revolution,to play the modern valuable effect. Therefore, the author puts forward his own ideas, and makes that the auspicious culture in huizhou factional architecture is innovativly applicated. Thus, we can make auspicious culture walk on the the road of sustainable development and promote Chinese traditional culture and enhances the ethnic characteristics of design. The main content of this research has three aspects:Firstly, the thesis draws forth the connotation of auspicious culture according to expatiating the historical origin of Chinese auspicious culture, and comprehensively analyzes and summarizes the specific performance of auspicious culture in Huizhou factional rchitecture from its aesthetic and cultural factors; and the thesis analyzes the method of the auspicious graphic meaning:symbol, meaning, match, tables, homophonic, characters and the method of comprehensive use.Secondly, aiming at facing many difficulties in modern design of art, the thesis does a series of research on it. Modern design of art appears some new trends:localization and globalization, natural regression, pursuiting individuation, high technology and high emotion, design for environment. Also the thesis analyzes development situation and disadvantages of Chinese modern design.Thirdly, basing on clarifying the importance of auspicious culture in Huizhou factional architecture in modern design of art, the article put forwards the principles of application of auspicious culture in Huizhou factional architecture in modern design of art, that is, modern design of art should insist sustainable design, humanism design, diversified and humanization design. Aiming at that modern design of art blindly stacked and simply engaged some traditional culture elements to inherit traditional culture and shew the phenomenona of repeating copying and chasing the superficial, the thesis puts forward a new perspective of the applications of auspicious culture in Huizhou factional architecture in modern design of art, and analyzes the trends of application of auspicious culture in Huizhou factional architecture in modern design of art firstly, then puts forward innovative ways and techniques of the application of auspicious culture in Huizhou factional architecture in modern design of art, that is, innovativly applicating the dominant and recessive language of the auspicious culture in Huizhou factional architecture in the modern environmental art design:using symbolic way, doing direct references or simplifying and concluding, abstracting and changing in its image; changing it into new materials, process and texture on the material; making the separation and reconstruction in its space, so that we can make the original traditional elements keep some nature features and become a new visual symbol system. This is the way in which the application of dominant language of the auspicious culture in Huizhou factional architecture in the modern design of art. And to recessive language of the auspicious culture in Huizhou factional architecture in the modern design of art, we should promote the verve of auspicious culture, and make it in harmony with modern environment of design, thus, we can promote national character of modern design.Finally, the article analyzes the application of auspicious culture in Huizhou factional architecture in modern graphic and environmental arts design through plenty of examples, and demonstrates that the auspicious culture can be innovativly inherited and developed in new life and new concepts of modern design.This thesis does analyzsis and research on auspicious culture in Huizhou factional architecture, the purpose is to look for innovative ways to express traditional and regional culture in the modern design of art, so that the real quality of auspicious culture resources in Huizhou factional architecture and new growth mechanism can be played, and provides the theoretical foundation to inherit and develop Chinese auspicious culture, simultaneously, riches art cultural language of modern design of art, and enhances the cultural grade and the national characteristics of modern art of design.