The Combination Of Chinese Traditional Decorative Symbols And Modern Industrial Design

This paper takes the relationship between the symbols of Chinese traditional decoration and the design of modem product as the breakthrough point .Through the research of traditional decorative symbols, this paper analyzes the law of its development, characteristics of the times, the culture connotation and humanistic feelings in specific time. Traditional decorative art development context and meaning is sought in the western industrial design history, In the several western art movements, the relationship among adornment art, science, technology, laws of the market and aesthetic is explored through the discussion of the product design problems in the decoration. A suitable market rule and a industrial design road which is catered to the modern consumer aesthetic demand are summarized from the experience of others.After 2008 Beijing Olympics and the 2010 Shanghai world expo, "Chinese wind" became popular in the world. How to seize this opportunity, let China industrial design occupies a place in the world industrial design tide. How to let distant, mysterious and Oriental glamour of Chinese traditional culture integrate in the modern industry design. How to form a certain visual discriminating "Chinese design" style. How to let the product with "Chinese design" style to promote and inherit Chinese culture. This paper analyzes how to combine decorative symbols of traditional and modern industrial design. Firstly, there are many groups of contradiction collision such as traditional culture and modern culture, well-crafted and brief style, form and function. How to solve this series of contradictions, let them be consistent with formal beauty and aesthetic taste, and integrated into traditional culture with fashion, and reflected national character with internationalization. These are the paper's major problems. Secondly, the traditional decorative symbols is formed in the specific historical periods, cultural background and technology level. It can not be simply listed and pieced with modern industrial design. The Chinese nation colorful traditional culture is not a graphics pattern can be represented, it is a kind of spirit needed throughout our designs. Therefore, how to process, refine traditional elements and make the past serve the present and how to make decorative symbols inherit the Chinese civilization with the features of The Times are the important problems to be solved in this paper.