The Research On Heterogeneous Of Bernard Tschumi's Architectural Creation

Bernard Tschumi is one of the most active avant-garde architects in the area of contemporary western architectural. As a deconstruction architect, he is deeply affected by the philosophy of deconstruction. John Loomis mentioned Tschumi in "The twentieth century construction dictionary",——"From theory to practice, and Bernard Tschumi effortless, its capability, in fact he is popular culture favorable representatives." Well known for his architectural theory, Tschumi also reveal characteristic culture in architectural practice. He served as the president of Architecture Department of Columbia University for 18 years long with outstanding contributions. His thought contains the heterogeneity of architectural creation with profound philosophical, guiding his architectural works non-logical, non-deterministic, anti-tradition, fracture, break, dislocation and many other heterogeneous composite characteristics. In the paper, the author strives from Bernard Tschumi's heterogeneous concept of architectural creation. Collecting, analyzing, deducting and concluding, the author tries to unscramble Tschumi's architectural work comprehensively with singular personality characteristics.Tschumi's original thought about heterogeneous is based on J ? Derrida's deconstruction of philosophy. Introducing the deconstruction of philosophy into the construction field, Tschumi changes the one to one relationship of "Signifier" and " Signified ", resulting the efflux of the traditional structure and rules, and the impenetration of the chaos theory through his architectural practice. Engendering the non-rational comprehension, Tschumi is affected greatly by the impact and influence of the contemporary western science, technology, society transform and aesthetics ideology. He rebels traditional geometric conformation, takes the concept of translation into architectural creation, and dismantles the original intent of creation, forming his distinctive, philosophical esoteric architectural works.Tschumi is good at absorbing other artistic approaches to consummate his heterogeneous idea. For example, bringing the montage effect in the film field, he takes "Incident", "Movement", and"Space" into the architecture systems, expressing the importance that architecture should reflects the culture. He emphasizes the oppose apposition between old and new buildings and raises the mutualism of the architecture and environment. Tschumi also uses potential elements to express his heterogeneous ideas, such as the flow of natural light, color and texture, through the transformation of which to bring a building that is dynamic changeable. Color's impact on feeling is working through vivid color signal, producing on human senses stimulation, then the building interacts with people, stimulating the special construction experience. Texture of intertexuality charm mainly reflected the special nature of the glass material, taking architecture together with the surrounding environment.Tschumi's work pays great attention on the exhibition of the architectural malleability configuration. He superposes the plane element into three-dimensional, adopts the skill of sharp angle turn to extend the depth of the unilateralism space, emphasizing the expanded strain of space. He likes to take geometry body daedal arranging and disorganizing reforming, which make the building presenting the acclivitous, slip, unregulated curve surface characters. As a result, Tschumi' work eliminates the boundaries of space in space processing of the evolution. It uses the "super-rational" expression of "invisible space" for the "marginal space" to do "intermediate existence" processing, and cross-cutting, cross-sectional, analytical approach to the space of three procedures for multi-faceted, multi-functional integration. Subversive layout reflected the separation of the main inversion, square space is turned to diagonal, twists and turns, so that the high-rise buildings present a small inversion of the United States, which will be made into the bottom of a large space overheaded. The spiral distortion of the central vertical transportation is commander in chief theme of building-level sequence. Contacting space and space transportation corridor and showing the status of ectopic interludes, the buildings' inside is colorful.The concluding part summaries Tschumi's heterogeneous architecture designing philosophy comprehensively, as well as his non-rational thought, novelty unique deducting technique and the character of his work's malleability, changeable, self-discipline. As full-scale, systematic and objective research, the passage provides new angle of view, method and thought as a reference for today's architectural design role and reference value.