Life Of Image--Aresearch Of "Cinema-event" Aesthetics On Deleuze

As a famous post-modernism thinker in contemporary France,Gilles Deleuze is well known by his "Philosophy of Difference" and "Nomadic thought" of anti-centralization and anti-identity.In his theoretical writings,"Cinema 1:The Movement-Image"and "Cinema 2:The Time-Image",Deleuze reveals the unique trait of image as substance noumena of duration with his unique perspective,contacting the conversion of image format and the changes of philosophical thinking.Deleuze's open research method injects new energy and vitality into the film theory once becoming silence.As a decisive advocate of Bergsonism,Deleuze makes explanatory notes on Bergson's philosophy of difference firstly by which establishing his own system of film theory.Deleuze follows bergson's thought,regarding image as a stretch of duration built in spirit.And then gives a link to the essence of virtual time and the practice of film aesthetics.Digging out the unique significance of "Event" from the conception of image and time about difference and becoming.This paper attempts to base on "Image-Evevt",combing the film aesthetics theory of Deleuze.And interpreting multi-dimension aesthetic characteristics of Deleuze's image theory by studying the philosophy sources of "Event".In his view,"Event" means actual becoming of virtual image.Deleuze emphases on the ability of significance proliferation for the "visible" image and holds in-depth discussion to the function of image.Deleuze considers that creating new sensory experiences that can break habits of thinking is the genuine value for image.Only in this way can image liberate human thought.These insights hold unique theory and practical significance without question.Finally,this article summarizes the rich cultural connotations about "Image-Evevt" in the present context after discussing its practical significance.This article thinks that Deleuze's film theory holds its long-term vitality,and we need to conduct sustained thinking and attention.