| Conception of traditional Chinese aesthetics, as a very important area, constitutes an indispensable factor in artistic beauty is both a Chinese landscape painting of the highest aesthetic rules, but also every home in the creative process landscape in pursuit of the ideal state of great concentration, but also tasting, appreciation of the aesthetic value of landscape and features works by major rule.The emergence and development of artistic conception has an extremely rich and profound aesthetic rich connotation. Conception of landscape companies in the creative process through the use of pen and ink techniques reflected in the realm, is a very worthy subject of in-depth study.The article is divided into four chapters:Chapterâ… deals mainly with the formation of artistic conception in the landscape. Chapterâ…¡deals mainly with the ancient, modern landscape painting in the artistic conception of the United States. The third chapter deals mainly with landscape painting in the mood of modern America. The fourth chapter deals mainly with the development of contemporary landscape Conception Theory.Artistic direct result of China's ancient "Road, mysterious, Zen philosophy" concept of "words, like, meaning," An Analysis of the relationship, but also directly from the ancient art theories on the meaning and the territory of love with the King, thinking with the territory, discussion of the relationship between Italy and the King. This points to the philosophy of other concepts and art theory and the impact of mood on the landscape are described. As "pictures of the heart" of the landscape, its philosophical roots and Fochan Laozi and Zhuangzi. Zhuangzi's "Road" to make artistic conception of "Beyond the Surface" to occur, Fochan makes hair growth after the mood has become an empty-ming, while Yun Zhi.Since independence from the Chinese landscape painting, over thousands of years history of continuous development has it in the center of Chinese painting, ink works by painter Guan, composition, mood, and the theory and so reached a very high level, is maturing. Landscape painting and poetry in the mood throughout the different, it is based on "Qiyun lively" as the general spirit of the principles, but in order to screen the performance of pen and ink techniques to lead the viewer's mind fluffy walk, to achieve "Beyond the" effect. Landscape painting is actually a result of "Qiyun vivid" and to "Beyond the Surface" of "pictures of the heart." "Qiyun vivid" is evolved from the portrait on the reference to the landscape theory, the shape of the requirements have greatly diminished, drawing the focus of even more emphasis to express subjective mind who painted weather, thereby making landscape paintings as "pictures of the heart".This article explains the meaning of the mood, function, development, and analysis of the aesthetic features of landscapes at different times, and through the ancient, modern representative of the appreciation of landscape painting in the mood to analyze the United States. In this paper, representative of different periods of the artist's mood style analysis, and research, seeking their paintings in the mood structure, identify a single provision of the Spirit throughout the artist. It contains both of the artists on the landscape in the mood and aesthetic aspects of the establishment of analysis, but also contains a common study in which artists dedicated to in-depth systematic analysis of their content mood to find the key to personal style and mood, and compare their mood to create a variety of factors. As the experience of artists in different times, cultivation, character and state of mind, knowledge are different, reflected in the writings of the mood can vary. Artistic style, building Habitat means the spiritual world because of the different and varied artists. From their artistic ideas, and artistic achievements to the research, to find commonalities, rather than contempt personality style, to explore the significance of its artistic beauty and expression of ideas and perspectives to study the worthies of the painting.The academic value of this article reflects on the one hand, artists and works of multi-angle analysis and research, such as its aesthetic characteristics, aesthetic orientation, the impact on future generations, but also study the artist's conception of beauty personality and the performance of express way. Through the personalized style of the typical cases and in-depth analysis, so that research in theory and practice to learn, application and development.
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