Research On The Visual Forms Of Modern Jun Wares In Henan

Chinese ceramics as a kind of art is separated from modern art, and then the artistic creation of Chinese traditional ceramic compromises the ideas of modern ceramic art. And Jun porcelain as a traditional porcelain art, is a well stocked book from the angel of its value, including its natural Kiln accidents and the idea of unity of heaven and human beings and is highlighted for special attention by Ceramic art over the world. With the development, Jun porcelain art is marked by the times, intentionally or unintentionally, which intuitive performance are changes of its model and glaze color. Just because of this, this article tries to start from the model of Jun porcelain, studies"the change", and thinks over"the soul"and outlines a profile for the contemporary art from points to entire surface.First, this thesis mainly traces the historical causes (including the natural and cultural background) of Jun porcelain, by studying its formative arts and searches for its cultural spirit inherited in modern Jun art, then sums up the factors which has a great impact on the modern art of Jun in all ages. Second, from the perspective of its model and shape, the thesis cleans Jun porcelain up and sorts it, and takes representative works of Jun porcelain as examples to analyze the design features of Jun porcelain models one by one, and reveals the relations among the model design, glaze color, grain, and decoration. At last, the author combines the formal rule of ceramic model or shape, and summarizes the law of artistic form in modern Henan Jun porcelain.Third, from the point of culture, Jun porcelain plastic art expected to pursue a better life is aesthetic characteristics of harmonious form and lucky allegory. In the end, the thesis analyzes the time, space and nationalism of modern Jun porcelain from the perspective of art philosophy, then, puts forward a creative thinking that is"based on ceramic, advance with the times".