Explore Cezanne From The Visual Angel Of Linguistics

A study on Cezanne began in the late 19th century, during which theorists used very rich perspectives and ways of applying and gained different conclusions. In the study of Cezanne, formalism, image science, psychoanalysis are three main perspectives and each of them achieves greatly. using linguistic theory this article from an absolutely new style and from perspectives of Linguistics has a comprehensively systematic discussion of the art language in Cezanne's works and on this basis analyses the applying rule in it .It is hoped that fusing the achievements of visual angle above makes the research closer to Cezanne's original and at the same time brings new developing ideas to Chinese modern painting through the interpretation of the old masters.With this purpose and starting with Cezanne's artistic achievements and influences, I will review different perspectives on the research of Cezanne in history, thus put forward the linguistic perspectives on the study of him and discuss the distinguish and relationship between the linguistic visual angle and others. From the perspective of Linguistics, I will analysis the painting language in his reprehensive works during each period. After discussing his personal art theory I also parse the cultural language in his workers and explore his artistic pursuit. By combining the problems in Chinese contemporary easel painting, I dig the meaning of having a serious attitude towards Cezanne's art to it.In the end this article draws a conclusion that in Cezanne's mature period and later, what the old master pursued in painting is the perfect of painting itself. This point has a penlight meaning in today's contest. The direction of painting's developing exhibits more and more possibilities and uncertainties though wave after wave of modernism movement , which brings the freedom in the expression of painting language as well as confusion in the developing direction of painting. It is a trend in painting to stress the"concept"but ignore"language"Cezanne's works seem to tell us that the basis of existence in any art form lays in the characteristics of its language system distinguish from other art forms. That is to say painting language is the foundation of easel painting. From this point, we can also make a new prospect on the development of painting...