The Japan Complex In Tao Jingsun's Literary Creation

As Tao Jingsun has been seen as one of letters working for Japan by mistake and wrote mostly in Japanese, He was less concerned in the Chinese literary world. The one hand, Japanese scholars have noticed the maturity and change in Tao Jingsun's literary creation, spoke highly of his later works in the Sino-Japanese relations have a profound enlightenment.On the other hand, the current study also focused on his creation during the Creative Literature Society,and followed the the evaluation of orientation "pro-Japanese", lack of the research on ralation between emotions and literature.The object of this paper is to study the Tao Jingsun "Japan complex" in the literature."Japan complex " is the emotional tone, it isn't simply refer to a large number of his works shown in the "pro-Japanese"attitude, a good impression on the Japanese tendency, because of the changeof Sino-Japanese relations in the history of situation, this feeling of personal experiences and changes in living environment changes. It is reflected in literature including the acceptance of the Sino-Japanese literature, the balance of the Sino-Japanese feelings and emotions in the literature of specific performance. This article attempts to address three issues: First, the relationship between Tao Jingsun's literary creation and Japan; Second, a kind of emotional changes in his Japan experienced ; third,how literature reflects on the motion of Japan and China. Through the "Japan complex " to understand the underlying interpretation of a particular background, the face of social responsibility and the conflict between cultural identity, Tao Jingsun is how personal choices and cultural knowledge to dig out its The particularity of literary creation and reasonable.Limit the scope of this paper will study the Tao Jingsun three times greater concentration of creative representative novels, essays and other works, not included in the scope of the translation work. In addition to introduction and conclusion, the creation of community is divided into three parts:periods of Creative Literature Society, Left League, and went to Taiwan to Japan before the death, these three components are surrounded by the emotional changes in China and Japan. The first part is from the Japanese society, the acceptance of Japanese literature to explain the characteristics of the feelings toward Japan and the "marginal"tendency. Tao Jingsun love the Japanese society, and one hand, a large number of novels about lifestyle of Japan and modern civilization, on the other hand the local customs and traditions of the Japanese taste has detailed performance. Japan is the Western literary theory and the recipient of the media, Tao Jingsun received the new Romanticism as the mainstream of Japanese literature, the "two scenarios"and"precipice"as the representative of the works reflect a significant new Roman Style and New Sensation. The creation of this period in his country differences in overall performance is not obvious, it is a Chinese identity is concerned with the alienation of Chinese society and the heart of Japan's identity, a large number of reference works on "Chinese identity", Chinese people in China and Japan on the living conditions of the performance of the dislocation of the scene is also increased. Tao Jingsun of China showed a clear emotional changes in context, through the "exclusion " - "abandon myself"- "face"- "Drifting" changes in these complex psychological stage.The second part of the Tao Jingsun after his return, summed up his feelings of literature during the Japanese position changes on Left League. Tao Jingsun returned to Shanghai can not find a sense of belonging, but also cut off the memory of Japan, the Japanese became his escape from real life, the spirit of the "hometown. " This includes the Japanese woman to his rescue, modern Japanese thought and culture identity, way of life of Japanese capitalism and the material of the attachment. Tao Jingsun in Chinese society without the sense of belonging to simplify the role of bourgeois ideology, was keen to give up the new Roman doctrine, began to "mass art" changes in the general literature, with a clear political orientation. Japanese invasion started, during the fall of Shanghai, Tao Jingsun use humor and self-deprecating prose, using arcane language to accuse the atrocities of Japanese invaders. Tao Jingsun noted the issue of nationality of Su Mansu. Because of Japan's disappointment, Tao Jingsun chose to say goodbye to the literary world to "give up " Japan.The third part is about the maturity changes of the thought after his return to Japan. In this period he distincted between the culture and national consciousness,and no longer focused on the situation of individual survival and self-expression of emotion. He was a critical national character of Japan that the Japanese "serious" and "imitation" of the relationship; use ahead of its time and political vision to look at the relationship between China and Japan, Asia's point of view standing in the international arena between the two countries development; he wanted to make an objective look at the Japanese in China, would also like to convey to the Japanese really think of China and Japan, the Sino-Japanese cultural exchanges and communication between peoples as "friendly" efforts.Tao Jingsun is committed to this "Japan complex" comb to explore the historical context of changes in cognition and personal experiences under selection, but also trying to restore Tao Jingsun true character, exploring its specific impact.