The Study On Folk Position Of ChiZijian's Novels

Zijian Chi has a literary writing life for 20 years with the persistent belief in literature and her literary output is as much as five million words. Among the works, life of lower class and ordinary people are the theme of Zijian Chi. Standing on the spots of those ordinary people, the folk conscious standpoint, she tries to describe their life condition, the desire of survival and joys and sorrows.It is not difficult to find out by close reading that there is a typical image in her works—criminal image. But Chi is always looking for self-salvation strength by standing on their spots. That is the result of folk conscious standpoint and the strength also comes from folk at the same time. From the space point of view, Chi would like to describe various kinds of daily life, like family life and entertainment life, so that to construct the living space of folk. What's more, both the writer and those characters in the novels believe that they might get greater power of mind from folk to defeat difficulties. To borrow the folk concept of Sihe Chen, the thesis will outline the folk position of Zijian Chi in the following three aspects: the criminal image on folk position, text presenting of daily life (the construction of folk life space and the folk tour), and cultural power seeking in folk. The first chapter discusses the offenders under the civil position of the image look like "the beauty of the shore slave," "rushes Light" and "third place" dinner in the murderer, "the twelfth lunar month slaughtered pigs" in the woman a liar, "retrograde Wizard" desire to attack the bad cop in the people, "duck flower" in the killing of fugitives, "a horse, two people," the rapist, "Andante marching Moonlight" in the prisoners, the "zero workshops" in the robbery offenders and illegal operators, "Fu elegant" in the fight for the students who take revenge, "a hundred bird forest" accidentally killed his wife in the fugitive, "Bu Jilan Laba town the night" in the thief, "Dan-ghosts" in the The escapees and perjury Hsieh Fu, etc; as well as "Brumaire Kraal" in the following sub-dementia caused by missed stepfather, "all the world's Night" in hiding the truth alone, Mrs. Chiang hundred criminals and other spiritual aspects. These criminals can be divided into three types of images, first person angry retaliation. Mostly because this type of criminal infringement of individual resistance taken in an act. This more precisely reflect the blind acts of revenge helpless civil population, the writer standing position to give people understanding and sympathy. Followed by the material interests of the recovery trend, civil people, lack of material life, and some forced to take in order to maintain life and illegal means to obtain basic necessities. Deep sympathy for the writer in the same time to redeem himself the way so that they be saved. Finally, the spirit of hard labor refers to a betrayal of conscience, writers pen to write with compassion and struggle of their helplessness. For these images, the writer uses the focusing angle straight into the performance of their inner suffering, and by shaping the character of good and evil interwoven light and shade of human nature. The reason why the performance, because writers have a certain sense of self-redemption, this awareness stems from her experience of civil life and civil culture, influence, the appeal of civil force for good.The second chapter analyzes the construction of private living space in the daily life of Chi Zijian's text rendering works. Standing position on the inspection of civil status and history of social movements, vision is often delineated in people's daily lives, from weddings and funerals mortal life attitudes of the reflection of changing times. Everyday life in a civil position in Chi Zijian another reflection. Through the details of description, description of environment to show people the family life, cultural activities.Chapter authors seek to give the power of civil society. Chi Zijian's novels in the existence of a narrative mode, that "travel structure", the performance of "I" or the hero set foot on the road for various reasons, often seen in the way encountered can "I" or the hero's spiritual solace, access to sublimation. Which will contain a private tour of intellectuals, they are no longer the only Enlightenment rationalism public representatives, but the rich people get to experience life of salvation and self-reflection.