On Research Of Jacques Derrida's Semiotics And Aesthetics Of Deconstruction

Jacques Derrida was a crucial person from Structuralism to Deconstruction. In a sense, he could be seen as a"reservoir"in 20th's history of ideology. He was not only the most classic successor ,but also the exploiter with great creation. His theory of Deconstruction and the strategy directly affected the Post-modernism, and opened a epoch of the west culture and ideology.The spearhead of Jacques Derrida's Theory of Deconstruction is the Logocentrism . Derrida's theory and practice are integrated and progressive. In the earlier stage , Derrida adopted a way of Semiotics and Grammatology as strategy, trying to overturn the building of traditional Metaphysics. In the later stage, Derrida's Theory of Deconstruction demonstrated a transparent politics feature.This paper mainly reviewed some of Derrida's earlier works; focused semiotics and aesthetics of theory of Deconstruction; emphasized the allegation of grammatology , the ontological ideology of Literary , and the values of Literary; tried to grasp the spiritual essential and academic logic of Derrida's ideology.The first part, mainly discuss the historical context, academic mission and the theory of origin of Theory of Deconstruction. We believe that Derrida mainly be affected by four aspects, which are Nietzsche, Husserl, Heidegger, Structuralism (including Ferdinand de Saussure and Levi - Strauss, etc.).The second part, "deconstruction" and "deconstruction" strategy formulation, involving the purport, objectives and the specific operation of Derrida's Deconstruction. Here we mainly discuss four keywords:differance, trace, supplement, and dissemination.The third part, we mainly on the Of Grammatology , and Derrida's other writings, thus in-depth analysis Derrida's "grammatology". Deconstruction initial begin at the grammatology and semiotics point.The fourth part, related to the deconstruction of literature, in order to further demonstrate the thinking of Derrida's deconstruction of literature, this chapter make concrete description on the concept of literature, text, read and criticism.The fifth part, focuses on the literary theory of value, which is the subject, the starting point and destination of Derrida's theory of literature. while is the best part of a direct dialogue with the 20th Century Literary. This part mainly related the concept of language, words, symbols, literature, philosophy, natural and cultural values issues. The sixth part, discusses the significance of Derrida's Deconstruction theory, describes Derrida's influence on Western academia, we focuses on the Yale School, Feminism, Post-colonialism, New Historicism, and we brief analysis Derrida's academic and spiritual essence of personality.Here, we will review the contribution and limitations of Derrida's Theory of Deconstruction.At last, this paper introduced the spread of Derrida's Theory of Deconstruction in China, and briefly analysed its influence on Chinese contemporary Aesthetics and Literaty theory.