Perspective Image—the Studies Of Chinese Minority Films In The New Century

Minority film is part of film history can not be ignored,It minority charming historical and cultural resources for the creation, To film the performance of modern art in the form of means, be seen as a culture and a combination of modern art. Therefore, the film has both ethnic minority cultural identity but also has the art of film properties. In this sense, Study with the research on ethnic minority film culture and film art in China double meaning. The topics to the new century as the research object Minority Film, to the film narrative, film semiotic and cultural theory as a theoretical tool for research, focus on film and film body text analysis research, and efforts from the synchronic and diachronic study of two dimensions , Since the birth of both of the minorities in the film has made the development of a diachronic sort context, discusses the dynamic development of the vision of the new century, the film's unique artistic minority representation; the same time the film placed in the new century, ethnic Chinese Film Commercialization The macro-environment, concerned about the number of minority subjects in the type of film to film to seek a broader issue of living space. Minority Film to the new century as a whole study, and comprehensive film narrative, film semiotics and cultural studies and other theories, its multi-angle multi-level research, innovation is the significance of this study. Do not expect to fill the gaps in the field of film studies, only the minority of the film to provide a new century of the macro-perspective, the gradual improvement of ethnic film studies do modes.