The Narrative Research Of Chinese Children Film In The New Century

Chinese children film is an organic constitute part of Chinese film.it is also an important part of Chinese contemporary culture. As a branch that can not be missing in the spiritual life of contemporary youth, children film has the same important meaning as print media, network media, and is far better than the latter in terms of perception and acceptance. But today, the Chinese children film has appeared weak condition and got into trouble under the impact of market economy and digital technology. This article attempts to start from the present situation of domestic children film, analysis from the viewpoint of film narrative, and explore the development trend of domestic children film, find out the points that will help the development of Chinese children film.This article is divided into four parts altogether. The first chapter is introduction, mainly elaborates the basic concept of children film and the research present situation analysis of Chinese children film. The second chapter, is the analysis of development history of Chinese children film and the characteristics of the new Chinese children film. Hoping to make longitudinal interpretation and theory judgment from a historical dimension to the healthy development of Chinese children film. The third chapter is the focus of this article, talking about the similarities and differences between literature narrative and film narrative based on the narrative, further study of the basic characteristics of Chinese children film narrative in new century. And then, compare with American, Iran and other countries’excellent children films and analysis, explore the elements that worthy of learning. The fourth chapter is mainly about the future and deep thinking of the future about Chinese children film. Talking about the advancement of high-tech for cultural communication of Chinese children film, this chapter also analysis different audience psychology between children and parents when they watched children films through audiences’psychology, looking for narrative psychological coordination and balance among multiple audiences. This article tries to think from all positions, multiple viewpoints about the development tendency of new century Chinese children film industry and then put forward references for the future development of Chinese children film.