Study On The Acceptance Field Of Huang Tingjian's Ci

Accepted theory stresses the reader's dynamic role in literary activities and value the reader's active participation and acceptance. It provides us with a new perspective and ideas for literature study. Its significance in innovation can not be neglected. This thesis first uses the accepted aesthetic principle to pay close attention to Huang Tingjian's unique understanding of others'literary works, who is a continuous productive writer belonging to recipients and producers of aesthetic nature, and to study how the words of others to be regulated in his expectations of personal literary experience. Secondly, the thesis uses the principle to study the persistent influence of Huang Tingjian's words as the object of aesthetic acceptance and production on others and the accepted history of dynamic literature produced by Huang Tingjian in the contemporary and later.In the first part, the writer studies the continual production author's creation and acceptance of literary text and based on Huang Tingjian's works, explores the traces of the words of HuaJian(a name of a book),Liu Yong and Su Shi in Huang Tingjian's works to teases out Huang Tingjian's acceptance, smriti and evolution of otehrs'words. (A),some words of Hua Jian have been obviously received by Huang Tingjian in the subject, style, image and some works of Huang, in which the traces of Hua Jian were left, show the surpassingness. (B), Huang's creative reading of Liu Yong's works fully reflects in the similarity in subject and approaching of aesthetic thinking. (C), Huang Tingjian learns the words of Su Shi and expands the subject matter. Huang writes his works in poetic way. He expresses his temper, intention through his works and gives Ci more functions.In the second part,the writer uses research methods to tease out and analyze reception in all the times and even the same time but different periods and in different stages of a reciever. (A),Chao Buzhi, Chen Shidao, Li Qingzhao the three make the judgements about Huang's Ci based on the theory of styling others while Wang Zhuo improper based on the theory that poetry and Ci are of the sane family differentiation of poems, a word on the Huang Tingjian to the judge. (B), Wang Ruoxu and Yuan Haowen have completely different attitudes torwards Huang's Ci although they all appreciate the style of Su Shi's and Xin Qiji's Ci. In Yuan Dynasty, there was little criticism on Huang's Ci for some special reasons. (C), In Ming Dynasty, the acceptance of the Tingjian's works presents a feature of diversity, mainly refering to the orthodox view, the main sentiment view, the word history view, the view of humbling oneself. (D), In early Qing Dynasty, some litterateurs judge Huang's works still based on a natural derivative from Ming Dynasty. In the middle term, the school from Western Zhejiang makes comments from the correction perspective. In the late, Huang Tingjian's works become the interpretation platform of the theory of ChangZhou school.