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The Research Of Masks Visual Art Symbols Characteristics And Semiosphere

Posted on:2010-05-24Degree:MasterType:Thesis
Country:ChinaCandidate:J Y ChenFull Text:PDF
GTID:2155330332977871Subject:Art of Design
Abstract/Summary:PDF Full Text Request
As the visual medias of folk culture,The Chinese masks visual art symbol main component include Saman masks,Tibet masks,Nuo masks, Showing unique artistic charm with its ferocious, simple and unsophisticated, plain and clumsy shape,abundant culture and aesthetic meanings. Study the mask visual art symbol, structure the mask visual art symbol semiosphere, probe into its national culture contained, find out about various nationalities' social history,religious beliefs,national character,aesthetic temperament and interest, Help to improve people's awareness of protection and inheritance of regional culture, To promote the national culture on the basis of mutual understanding in harmonious development. So, study the mask visual art symbol has important theoretic value and social significance.Based on this context, this paper presents a clear purpose, which includes systemmatically seeking after the sign rulers, aesthetic characters, text characters, unitary structure characters and movement characters in the masks visual art semiosphere. Based on these, Probe into inheritance and application of the mask visual art symbol,Then mask culture and arts will be developed coupled with the innovation of artistic life-styles.Based on collecting abundant of data, the Saman masks have been systematically analyzed,which have contributed to a lot of results.Firstly,the systematic explore the Saman masks artistic symbol five forms of symbols meanings,such as Hunting masks,Chams masks,enshrine and worship masks,Funeral masks and folk amusement dance masks. Three kinds of behavior characteristics, such as from model simplified and childish to elegant, material abundance and various handicraft, color lively. Multiple aesthetic meanings, such as religious ideas for the center jinn beauty, for religious piety and the clan of responsibility show the artistic aesthetics, concise summary of artistic language form beauty.The meanings of symbol form, performance characteristics and aesthetic characteristics of the Tibet masks visual art symbol have been explored,which have contributed to a lot of results,such as chams masks of thank and offer a sacrifice to gods,expel evil influence and prevent disasters, hanging masks of protect Dharma and those who practice and observe Buddhist rules,Tibetan operas masks of the ture,the good,the beautiful,the false,the ugly and the evil can be manifested explicitly. The performance characteristics,such as model exaggeration and realism, Bright colors, Strong contrast and abundant symbol, dense ornament, complete and delicate, multi-layer contrast, harmonious and unified, distinctive religious.The aesthetic characteristics,such as the strength beauty of character,humantiy's secular beauty,the beauty of atmosphere.The performance characteristics and aesthetic characteristics of the Nuo masks visual art symbol have been explored,which have contributed to a lot of results,such as model ferocious and gentle temperament, from a single to multicolored colour, complicated in decoration and heavy and orderly, delicately carved, dualistic structure characteristics. The aesthetic characteristics,such as Symbol that people communicate with the god, from the practical beautiful to secular beauty, the ethics of the ture,the good,the beautiful, culture and ideology of Buddhism and Taoist.On the above-mentioned basis,masks visual art symbol sphere are built by combining with Lotman's culture semiosphere.Then,the multi-sign and complexity of test, multi-culture and unitary structure of aesthetic culture have been analyzed and the system of aesthetic culture have been constructed in masks visual art semiosphere. Then the structure characters of masks visual art semiosphere has been analyzed, which have contributed to a lot of results, such as heterogeneity, asymmetry and boundedness, and "margin-center" system of aesthetics culture. Then the motion characters of masks visual art semiosphere has been analyzed, which have contributed to a lot of results, such as "margin←→center" and traversing boundary of symbol motion styles, series-wound, feedback motion, iterative motion and shunt-wound motion of symbol motion relations, and aesthetic continuity, aesthetic reverting, aesthetic amalgamation, and aesthetic intergrowth of aesthetic motion styles.The inheriting model and applicationhave been explored,which have contributed to a lot of results,such as apprenticeship system, religious inheritance, Familial inheritance, Festival activities inheritance, artistic activities inheritance, Discusses its application,such as protecting inheritance and composition of performance organization,Using inheritance,Using the masks to modern tourist commodity packaging, Digital graphic design, through digital technology to preserve masks art symbols information, innovative art design, make the primitive art to merge with modern art design, extend its development field.
Keywords/Search Tags:masks, art symbol, performance characteristics, aesthetic culture, semiosphere, model inheritance
PDF Full Text Request
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