The Research On Scriabin "Op.20L F Minor Piano Concerto"

composer and pianist of late 19th century to early 20th century, is a master composers of orchestral and piano music. His cultural heritage had became an important part of the Russian cultural treasures of classical music, and himself, became a gaint in the music history of the world.Early Scriabin's piano works of music are mainly based on a life and art full of boundless enthusiasm and hope, the creative personality is not yet mature. Creation of this period maintain close contact with the traditional Russian music and traditional Western European music of the 19th century. Especially the singing of lyric melodies are obviously under Chopin's influence. He created a lot of similar styles of works of Chopin, winning the title of"Chopin of the 20th century". Scriabin mid creation was due to the turbulent social environment. He had a clear changes of view on the world and art, began to read a lot of Nietzsche's work, and became keen to study Eastern mysticism philosophy. In the late creation, Scriabin began to gain a great interest on Europe's "Pass theology", and his music began to show the abstract, strange and mysterious features, expressing the emotion of the arrogant and extreme. Meanwhile, the style of music becomes mysterious and the creative content and form also became more profound and complex with large-scale orchestral writing being the main genre. This paper picked Scriabin "Op.20 l f minor Piano Concerto" as the research object, combining the theory and practice of his work, offering a comprehensive analysis creating on aspects of the background of this work, the music ontology analysis, features and style of music and actual playing of the piano works, so that we will have a more comprehensive knowledge and understanding of Scriabin's "l f minor Piano Concerto."The paper is divided into four parts: the first chapter of Scriabin Biography and "l f minor Piano Concerto", an overview of the main literature on the different studies of his works and compared them to analyze and summarize. Describes three periods of Scriabin's music profile, and on the creative background and overview on the "l f minor Piano Concerto". The second Chapter is about the creative features of "l f minor Piano Concerto". This is an important part of the paper, through detailed analysis of the works, we sum up some of the creative features of the works, including following aspects: form structure, motivation, harmony, melody, beat and rhythm, texture and form. Through the analysis of the summary in Chapter II of the ontology, we had paved the way to describe the style characteristics in Chapter III. This section discuss the overall style feature of the works in three main aspects, also being a sum analysis on the first two chapters. Were described from the following three aspects: a continuation of the Romantic style and innovation (harmony; rhythm; melody); the impact of Russian folk music; the relationship between piano and orchestra. After the previous detailed analysis of the works, the fourth chapter offers some ideas in the actual piano playing on some technical difficulties and the styles. This chapter discusses the four aspects of piano playing: the requirements of the touch, speed and intensity, the use of pedals and the grasp of the improvisation style. Hope that through the analysis of Scriabin's "l f minor Piano Concerto", enables us to pay more attention to the great composers at the turn of the century, and to reach a more in-depth understanding of his piano music, bringing more concerns of the concerto, and also provide some useful information for the study of mid and late Scriabin works.