Annotation About The Post-modern Feminine Artists'"Self-interest"

The performance of Chinese contemporary oil paintings, with the Gleaners and the Extension Ice for example, shows us its temperaments with not only miss and persistence, but also holdout and dash concurrently, which is the following with the traditional culture than the exploration of the advanced thinking about painting language. The performance of Chinese contemporary oil paintings always displays its exploration by finding balance fulcrum incessantly. It makes innovations and pleasantness, and its relay emotions, soft or ardent, should be accepted by public's aesthetic taste at the same time. To liberate viewers'passion? its relay emotions play the main part of spiritual purification. The ideal and cognition of the performance of Chinese contemporary oil paintings permit a burst of warm or nervous emotion under the provisions of traditional culture.Meanwhile, the higher requirements of Culture survival environment and self-paradigm span from the artists conflict with the actual living environments promoted continuously. Some artists have to give up part of their precious perceptivity, and transform it into capital of integrating into society or stepping-stone of leading the way forward. The conflict between art life space and realistic social life makes the artists" thinking mode and behavioral pattern more conservative, and lose autonomy space belonged to artists originally, which is the art life status with pessimism and wrathfulness. The contemporary artists' reinterpretations of tradition or themselves or the realistic paintings have compact accordance with social culture while the painting life follows social survival surroundings closely. Therefore, we should keep breaking through despite that balance and compromises are needed.