| The first chapter is an introduction section. The background of the main topics of the paper, theoretical and practical significance, research status and research method and structure of a simple introduction.The second chapter is brought against the state and development of the theory album. On the emergence and development of the national album a brief exposition of the concepts and puts forward the concept and basic characteristics of the State album, and then the formation and development of the country album to sort out the relevant theory, followed by analysis with the Qin ancestor worship, "as set. " The purpose of this chapter, this research leads to national theme albums, as contained in later chapters of the history of the Han Dynasty portrait painting and evolution mechanisms of formation and development of a solid theoretical foundation to prepare, to build a framework of rigorous logical analysis of norms.State Chapter of the Han Dynasty album. This chapter focuses From "History contained" in the perspective of the Han Dynasty Han Dynasty portrait painting country albums comprehensive analysis of the system, summarized the historical and cultural environment in the country album of the main features of the Han Dynasty and Developing, Changes in the history and reality to grasp the The general rule of contemporary country album, set for further study of the history of the Han Dynasty to provide heavy historical portrait painting material.Chapter IV of the Han Dynasty portrait painting imagined. Previous paper, the development of the Han Dynasty country album sort out the basis of historical context, this chapter first analyzes traditional Chinese painting, portrait paintings presented the art of the Han Dynasty and the essence of the spirit, "like" and narrative portrait of the two main issues, the final Ancient Chinese portrait painting with the trend of development, discussed the problem of the Han Dynasty to portrait painting.Chapter Five is the conclusion. The main conclusions of the paper and inspiration, innovation and deficiencies are analyzed and discussed.The main point is as follows:First, the so-called national album, the Southern National Palace Museum collection the smoke house of a large number of "history as the Empress Xian Chen" to describe the images on the Fu Xi, Emperor Yao, Yu, Shang Tang and King Wu of Zhou five monarch, the next, and Tang, Song, Yuan, Ming Di, after, and like other ancient Xian Chen. Smoked Hall was built during the Southern National Palace Museum, located outside the North West, Wu Yingdian southwest. Canonization ceremony of the Ming Dynasty in the book when writing the official seal Campbell, gold book a place. South Hall of the image after smoked Song, Yuan, Ming and three generations of accumulation, where the volume, volume, axes of a hundred pieces, images of more than five hundred and eighty frames. Those from the "national" collection of portraits, after the Song, Yuan, Ming and Qing. Empress Song of God as the original, mostly around the Royal Palace, the day before Qin Zhang Xiao Si Temple Pavilion and the Shrine, after worship in the temples and the landscape within a spiritual house; the Yuan Dynasty in the royal family have a special dedicated temples dedicated to emperors attached to Royal Yung God Goten. From the ancient royal house of God, the original temple, is placed first move toward the emperor, "Royal God" that is, Yu Yung, tablets and regular place of worship. Since the start of construction during the Northern Song Dynasty, the God father Seonjo Goten to Shinshu toward God Goten has been distributed in the country, the ritual system also begins to form. Store in the Ming Dynasty was the palace of the ancient library through membership, by the supervisor in charge of printed ribbon. Chong placed on three years of Mandarin, Wu ounce Hall; Qianlong be re-placed when the house south smoked, it is traditionally known as the South Hall of the image smoked. These portraits, history has custody of specialized national institutions, most of them from the hands of court painter. Most portrait name shall not fall, the authors who is difficult to trace. Qianlong "Bong imperial possession of the South Hall of the image in mind smoked" lying stone tablet records the text hidden inside the hall from Taihao, Fuxi the following, a total of 121 copies of Emperor Wang Xianchen portrait, painted portrait the size of a total of 583. The article also referred to its instructions from the house smoked, southern Tibet images intended "to show the emperor system each other, said pulse Sri Lanka in" Wang Fu-chih said: "emperor of the place, is that the governance system; sages taught also, is that Orthodoxy" Such is the function of the national album reflects the weathering of Confucian ethics governing education, portraiture as a supplementary means of political indoctrination in the form of emperors attached great importance, "into enlightenment, helping London", has spread disorder in Rise and Fall of portraits, Ji Gong , Chung Tak, the role of Senior table row, is the recognition of filial piety, power tools Zonta century, but also "national" political public institution and cultural heritage.Second, before the Han Dynasty, the text is the history of the most spread of power carrier, the Han dynasty, the image transmission power greatly increased. Temples, temple room, "blocking", "Yong", "wall" and the origin of the wall mural has become a more social impact of the "media", it contains the history of painting functions stand out. Portraits as a supplementary means of political indoctrination in the form of emperors attached great importance to have spread disorder in Rise and Fall, Chi Gong, Chung Tak, the role of Senior table row, is the recognition of filial piety, power tools Zonta century, but also "state "The political public institution and cultural heritage.Third, the Han Dynasty history of portrait painting set includes the following three aspects: the origin country albumCountry album Han, Han imaginary portrait painting.Fourth, the study of Han this meaningful "History contains" portrait paintings, portraits help us learn more about the development of the Han Dynasty and the development of the characteristics of the origin, to understand "national album," This particular portrait in the history of the Han Dynasty that particular to develop under the conditions of the reasons discussed more from a social and political change, the development of social thought the impact of historical portraits, and historical development from which you can find subtle traces.The inadequacies of the paper, because of data limitations and the author's own research capacity constraints, the existence of such papers as the inevitable problems. This paper has two major shortcomings: first, due to data limitations, this paper to the Han Dynasty portrait painting as a research topic, but not for the whole of the Cultural Significance of portrait painting, style, and morphology significance of the problem depth study. Second, the failure to put forward in contemporary social thought, culture, emotions, living conditions, and values under the influence of factors such as the analysis of portrait painting.
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