Painting Of Figurative Degree

In our initial contact for painting, painting the understanding is like and don't like, along with the artistic comprehension mature, just know like and don't like has its reason and value. This article from the historical evolution of the painting process and specific painting language to analyze the figurative degree change characteristics and regularity of painting, again from the core value -- spirituality to explore different degree of figurative expression of different mental.The first chapter show figurative paintings and abstract paintings, the concept and mutual relationship. The second chapter from the 19th century the later western painting neoclassicism, romantic, realism, impressionism impressionism, new impressionism, beasts, pies, cubism and abstract etc school competition and alternate history up analysis of figurative degree difficult transformation. The third chapter of painting language from concrete discussing figurative degree of change. We can see that the whole western painting is modelling, colour, brush on such painting language continuously surpass and change course, is weakening, figurative degree process of gradual strengthening of abstract degree and presentation of the course to performance, painting gradient by painting language itself to express spiritual inclinations function enhanced. Step by step In the fourth chapter from each school will go up analysis and the pursuit of aesthetic point of figurative degree and painting mental changes relationship. From western painting development and the characteristics of each stage painting language changes and aesthetic view of the three aspects, we can see, first of all, neoclassicism as a mainstream figurative painting go comes to an end, until the twentieth century by kandinsky, as a representative of the abstract paintings become the mainstream of western painting. Secondly, from figurative painting to abstract paintings change is a progressive gradual process. At last, from figurative painting to abstract paintings change is precarious, and each time the metamorphosis of after intense debate is the process and difficult exploration, and audiences don't understand and reviled. So, painting from reappear to performance, from the objective to subjective, from the concrete to the abstract, to express the painting by the real is not pure relied for the will of man is transferred, the necessity of historical development.