Study Of Zheng Music Pu An Zhou In Ancient Score Xian Suo Bei Kao In Qing Dynasty

In the early 1950s, Mister Junqi Tao who is Rong Zhai's great-grandson contributed the which had been handed down in his family. It is precisely this selfless behavior which makes us have much more chances to know this precious score. which had been finished in Qing Dynasty is also called , it had been compiled by Rong Zhai who was Mongolian scholar and lived in the 19th Jiaqing year (1814) of Qing Dynasty, this music score can be considered as the earliest strings opern about Chinese Guzheng, and the only 13 Guzheng scores which are in , especially it has been proved to be the earliest music score so far.This article is to take the analysis and comparison through the visible different versions of score, to refer from which is a Guzheng score in Zhejiang and claim from , to as a reference for< research for PU AN ZHOU in XIAN SUO BEI KAO>. The article will also analyze from many facets like the structure of music and music techniques etc. To research its origin and to organize the details, in order to further testify if it is related with . However, I fully appreciated the artistic content and the value from which is in in this special process which makes me studying while researching. After verification and organization from various articles and music scores about , I deduce these conclusions below:1. in has a great structure, which contains profound content indeed, and it belongs to typical traditional Guzheng solo instrumental music.2. According to carefully compare the current version of by Xunzhi Wang with the version I mentioned above, I think by Xinzhi Wang directly comes from the music score for Chinese lute after my analysis.3. In my researching conclusion, in and by Xunzhi Wang are obvious different on the score in the area of music structure, the variation of method and music melody, playing skills. by Xunzhi Wang is not able to show the value of performance and appreciation as what in shows. Therefore, the conclusion is that in is not the direct origin for by Xunzhi Wang.4. in is a typical traditional Guzheng solo instrumental music, not only it has very profound content, but also it shows some long-lost performing skills such as'HUA'and'SHAKING FINGER'which are considered to be the only existing finger skills in modern times. These contents are high valuable for performance and research. More than a year of the analysis of various data and practical experience, we are reasonable to believe that in undoubtedly reflect the art essence in the area of ancient Chinese music about Guzheng, and it could be a performing model for us to research the Guzheng music. Therefore, to inherit and develop it through researching this precious music score is our and younger generations'responsibility.