Zhoumi Ci-poetry Thoughts And Ci Wind Research

This paper tries to use the ci-poetry thought and subtle ci creation practice as the research object, the thorough various notes, word of the former preface and word choose excellent fine comb word, "summary of ci-poetry exists in its ideas, and makes every effort under the theory of ci-poetry on subtle and confirmed the word wind summarized the characteristics; Also from Zhoumi ci-poetry thought and writing practice in the comparison of the differences and explore out between the historical culture produced this difference causes.The article includes introduction, text, endnotes three parts. Introduction: on the subtle and word academic research status and research achievements, subtle various notes, word from the word, "choose excellent fine ci creation, three aspects, summarizes carding subtle ci-poetry theory whiff of word wind and predecessors to its orientation and evaluation.The text is divided into three chapters discuss. The first chapter of the ci-poetry subtle things up thoughts. This chapter points art conception theory, art aesthetic theory, art form theory quarters. Artistic conception theory mainly discusses the subtle "not" without the inspiration and the thinking. Word body function The subtle force not advocating "no", and attention to objective things outside the stimulating effect. Inspiration Zhoumi thinking, the word body function expression in advocating "feeling" and "volunteers" both fusion, and claims should be "the sentiment expressed by the order to send flowers," Howe and life in boudoir hatred of jianchuan put princes son by sense." Art expression in time-sharing aesthetic theory of subtle, and between the praise highly of the paradigm of surpassing inheritance. Zhoumi breakthrough QiYan childe, "among the flowers ZhenYu embroidered there beautifuls woman" of elegant, elegant charm, favors flashy and the image of women have a sense of justice. Word choose the selected romances word, all avoid the positive emotions and desires, collision of cordiality, borrow dreams song with the fallen petal, hurt the phenomenon such as spring contact, reflect spirit levels of "elegant". Art is aesthetic subtle but also in terms of YaYun wind advocated, appreciate qingli quietly elegant scene, yearning and insipid tian and state of mind. He review ci theory art is to "nature" as the highest aesthetic standards, however, this "natural" not dull bent, but interest and the lasting appeal of fusion. Art form of mainly discuss careful about the attention of melody and rhetoric of melody requirements, Zhoumi, embodied in the qing dynasty, the sound volunteer work three levels, verbal, he emphasizes melody harmony and word law nature. In addition, careful to quit after recovery, such as fold the word rhetoric means showing interest in dense. The second chapter study Zhoumi word wind. This chapter discusses subtle ci-poetry thoughts with each other closely linked, sealed leading word wind. Also expounds the three sections. The first day is touching continous li, reposing remote deep lyric way, Zhoumi life are in grief moans, cry, walked in silence, sad, YuFen mood in word, yet repeatedly intoned hidden, using a "to" the da affection way, and singing from torre borrowing more to boxing affection. The second day is vacant qingyuan, profound jas show art realm. Zhoumi knowledgeable, wit, he will Shan rich Chinese calligraphy and paintings of creation applies the technique skillfully ci creation, thus far, empty words diffused all artistic impulse and appealing. Zhoumi also fully poetic his living space, and in which the Wallace vulgar penetration surpluses breath of elegant storied lakes and mountains, refined show ZiShang landscape from jean, word had "the Shao qian of color" and "the thought of" disregarding mian. The third quarter profits, is acoustics tuning in law rigorous aesthetic ideal. Zhoumi proficient in music, the word "knock gold and jade, chewing snow washing flower" the laudatory name, he filled afterward.not Chu, pursue LianZi ice moment, but can do "without hurting gas refining since rao rare".Chapter 3 comparative Zhoumi creation practice and ci-poetry thought differences. Zhoumi in place of the yuan dynasty era is by by jas to profane the cultural transformation, age of Zhoumi ideological trend subtle creation produced profound effect; Therefore, Zhoumi creation practice on the ci-poetry thoughts exist certain innovation and flexibility. At the theoretical level, demi stick to represent the "elegant" orthodox culture, but in writing practice of heterogeneous there appeared in popular culture tolerance and reference. Mainly displays in ci-poetry theory decorous, and advocating for creative practice criterion existence tavern-musick inclusive; Ci-poetry testimonies, and theory of creative practice advocating for flexible there are rules; Ci-poetry theory praise highly creative practice paradigm, among the lowers in the feeling of little children.Epilogue part is added, Zhoumi is described by the song into the yuan dynasty, and when most YiLao song, both food ZhouSu as, and resolute don't shi new dynasty, this kind of contradictory attitude are also reflected in their spiritual activities. Zhoumi ci-poetry theory and creation practice of "elegant" stand fast, reflecting the deep lingering cultural nostalgia; And for the JianRong tavern-musick, is at a particular time helpless choice.