Li Yu's Drama Theory And Creation From Commercial Perspective

Li Yu's《XianQingOuJi》contains three parts of"words and lyrics"performances""voice and appearance",which were been worked out by decadescreation practices and stage performance experiences with great efforts anddiligence ,his theories of drama creation reflects the conscious commercialrequirements, especially reflects the pursuits of the characteristics of drama ,suchstage, popularity , entertainment. Aiming from the three aspects of Li Yu'dramatheories ,acting theories and his works. The First, from the point of stage theory,principals of popularity and entertainment, this thesis describes how Li Yu fix theprincipals of drama creation. Li Yu pay attention to use drama'characteristic ofnarrative to add to effect of stage performance ,he also work hard to suggest thatopera should be easy to understand from the language to topics and the ensuring ofthe characteristics in stage and popularity is aimed to reach the goal of drama'sentertainment and commercial potential.The Second, discusses the acting processfrom the three factors of directors, actors and the stage setting .Li Yu learn fullythat the whole requirements from the aside to the theater setting .He also integratesthe stage art mixed together with beauty, passion and spirit, which makes dramaachieve the commercial profit from all the aspects.The third, objectively evaluatesthe commercial peculiarities of the works of Li Yu .《The Ten Dramas》has thestrong sense of drama, which can catch readers'reading enthusiasm ,there are thefun of reunion and particular amorous dramas on the thinking topic ,also there isthe comedy realization and game humors on the style. This thesis analyses thathow can Li Yu achieve dramas'commercial value from the points of theories andworks and reveals Li Yu's drama theory from commercial scope and his work'sspecial contributions and creative meanings to Chinese drama history.