The Research On Yao Nai's Tihua Poetry

In three leaders of Tongheng factions, Yao Nai has enormous influence not only to Tongheng poetry factions, but also to Tongheng verse factions. He wrote poetry including a form of pre-Tang poetry and modern poetry in all his life about missing someone,giving an answering,travelling,sentiment of the ancient,landscapes,painting and calligraphy and so on. Every kind of Yao Nai's poetry interpret his poetry theory and writing practice in their own unique perspective. People always pay attention to TiHua Poetry which is a kind of special subjects in Chinese ancient poetry. Yao Nai's TiHua Poetry is comely and refined with rich contents about remembering,meditating,regarding for the past generously,Buddha Dharma and so on. This paper only views Yao Nai's TiHua Poetry as the object, combined with the characteristics of Chinese poetry and painting, tries to comb and research.This paper is divided into three parts. Based on Chinese and foreign research situation about TiHua Poetry, the first part introduces the definition of TiHua Poetry and clarifies its origin. There are both special and general concepts in TiHua Poetry definition. With simple introduction, this concept is ready for the remaining parts of the paper .From literati poetry preface,Tiba and inscriptions and Buddism Gatha praise several aspects, the origin of TiHua Poetry is explained and laid as basis. The second part illustrates the fusion of poetry and painting. China has correspondency in poetry and painting since ancient times. From the pictorial headstream to the development of aesthetic consciousness, from inside to outside ethics spirit of creation methods of charm image performance, all the things provide a good opportunity for the combination of poetry and painting. The third part-- the art feature of his TiHua Poetry, is the main part of this paper. This part is firstly about the Qing dynasty TiHua Poetry writing and literati poetry--painting theory, including both the academic atmosphere and overall creation situation of the Qing dynasty in TiHua Poetry,poetry--painting theoretical concept. We put Yao Nai's poems under the historical background to investigate, in order to have more comprehensive and accurate understanding. Under the change of literature, plus the influence of subjective and objective conditions, he gradually formed poetic grammar and theory. This paper tries to display his poetry theory and creation style from the view of prose and verse as a whole,the creation taking Wen grammar as the center,inclusive aesthetic ideals and artistic style .I hope that this paper can bring some new ideas for the comprehensive study to Yao Nai's poetry and provides a little reference to research of Tongheng poetry factions.