The Choices Of God And Soul

The subject through theoretical analysis and anthropological research methods, use of video recording technology, a city on Shawan shaman and a pastoral comparative research and analysis。On the ritual process and become a shaman after the treatment of various diseases and the process of interviews and records to reflect the " The choices of God and Soul" this visual anthropology film, and complete the thesis. Paper consists of two parts, one for the thesis,Another part of the film, produced an anthropological film. Paper describes the content of video interviews reflected the ceremony outside the course of a shaman's world view, shaman's social status, identity and other issues, Theory through the ceremony to symbolize the concept of an elaborate ceremony in the course of the symbol systems meet.The key topic of thinking is based on the principle of anthropological field research on the premise, by way of video recording to reflect the Shaman way. Shaman The Way of the film's initial theme shaman growth process, rather than the description of shaman in the world, and text writing is not a simple description of " The choices of God and Soul " anthropological film content,But the movie as the main line, through the anthropological theory to interpret and analyze the social relations between the two shamans and ritual process.Cultural characteristics of the times, it also has regional characteristics, Kazakh shamanism is no exception, although shamanism is a Turkic nationalities in general believed in and continued belief in the cultural phenomenon,However, the Uygur, Kazak and Kirgiz nationalities Shamanism also has unique features of all ethnic groups, nomads have some characteristics of the nomadic community, farming nation in agricultural production associated with the content,Different era to shamanism given different cultural content. Kazak Shamanism in a cultural transformation, social transformation, change in the way of life period,Therefore, the Kazakh shamanism and shaman in order to adapt to contemporary society, in the event, began to use modern industry to the new "tools." With the change of the traditional shaman ceremonial instruments width Buzi was replaced by Brad Winter, Winter Brain is sometimes replaced by tape recorders, but asked to be released winter Bula song. For this reason the author of several shooting of a shaman ritual process, through which the ceremony is obvious to the contemporary problems faced by Kazakh shamans and adapt to the community a sense of urgency. Paper Total chapters, the first chapter is an introduction. Investigate the literature review, topics reason, site selection, research methods and other issues.The second chapter focuses on analysis and description of shooting, "Shaman of the Road" video shoot when the principle used, creative ideas, skills and shooting video of the overall framework and structure. The film is not prepared to complete the premise of the script, but the film will have some shooting before thinking, advance understanding of Shaman's life (not just the two Shaman, is distributed in different regions of Kazakhstan and their shaman ritual view) taken after the in-depth field to complete.The third chapter is the film's content. The chapter is not a simple description of video content, but the focus is on two Kazakh films shaman and shaman in the interviews of two of the growth process involved interviews with people to explain and analyze, explain Kazakh shaman be experienced by some sectors of the shaman and compliance with the taboo (rules). Several of the chapters also conducted analysis of the relationship, ordinary people, shaman, Allah, ghosts, elves, patient, and the complex relationship。Chapter IV is a summary of the theory. Analysis of the Kazakh shaman in contemporary society's social status and identity changes, shaman ritual and symbolic analysis of contemporary social system and social transformation in the social problems facing the shaman and their adaptive social process.