A Study On The Performance Language Of Contemporary Decorative Painting In Xinjiang

Xinjiang is located in the western border, which have a unique human landscape and rich cultural resources, The vast territory, the natural landforms,multiple peoples,the distinct custom,and colorful culture has developed rich soil for realistic painting of Xinjiang. In addition, in an era with conflict between Chinese and western culture,Xin Jiang,whose unique regional landscape and ethnic features endow its painting,especially oil painting,with distinctive characteristics,which is characterized with multi-nationalities and the traffic thoroughfare of the"ancient silk road.The convergence of East and West in realist paintings of Xinjiang is available to a wider vision of space art. On the basis of its own regional culture,painters of oil painting in Xin Jiang optionally take in foreign culture and thus form the charming art with unique regional culture feature.All these factors influence people's appreciation of the beautiful and the formation and development of Xinjiang oil painting—a relatively independent art style . Color in oil painting in Xinjiang demonstrates remarkable regional characteristic, This is mainly manifested by the coloring of which influenced by region, ethnics characterized by nation, form characterized by the locality and multicultural, performance language characterized by decorating, symboling and emotive under the multi-culture background. This paper mainly discusses the influence of natural landforms,regional culture and ethnic custom on the color in oil painting from a geographical culture view, which presents the personality,aesthetic interest,era character of the color of local painting.This article starts from the form of the local language realist paintings of Xinjiang, seizing the paintings profoundly Ontology Mining Xinjiang realist painting performance of the unique language and artistic value.