The Study Of Performance Language Of Decorative Painting In Contemporary Of Xinjiang

Xinjiang is the place which is multi-ethnic-populated live since old times, which have the thick region culture and the humanities landscape,and its special geographical location and cultural background is different from the mainland to form the geographical features.And the history have many historical and cultural heritage: such as Buddhist culture, Islamic art, folk arts and crafts, the Central Asian art, murals, such as caves, providing a rich and valuable resources for the development of Xinjiang's oil painting.The oli painting of Xinjiang always cotain a multi-cultural infiltration of the relevant factors,such as screen colors bright and imaginative patterns,showing overall color of Xinjiang language painting decorative tendency clearly.Since the 80's the last century,the performance of the Xinjiang oil growing language diversity,at the same time,some artists of Xinjiang study painting,folk art studu in color,shape,Islamic aesthrtic,decorative colors,caves with murals line,modeling and so on,the screen shows plane of composition,rhythm-oriented lines,bright colors,contrast and so on,have astrong decorative effect.This approach has created a performance of syetem in Xinjiang ,and affectied artists's creative.At the basis of this the succession of traditional culture and the essence of foreign culture,which of style also has been part of Xinjiang,inpacting the artists of Xinjiang as a language of oil painting.Xinjiang,the performance of contemporary decorative oil paintings convey the language of the geographical and connotations,national sentimengt,and reveals the multi-ethnic groups in Xinjiang,cultureand many other aspects of the aesthetic ideas are worthy of our attention and studying.The article discusses four aspects, the first part is the decorative painting as a whole overview of the performance of language; the second part contemporary the characteristics of performance of decorative painting of of language; the third part analysising decorative painting of Xinjiang performance of language cultural origins ; the fourth part charm unique artistic aesthetic value and meaning of ontology of the performance of contemporary decorative painting language, in order to seize the painting to decorative painting in depth the performance of mining Xinjiang regional language, time, creativity and the arts profound implication Value to the situation of the arts and there is a better location and feel so that people can fully understand the performance of decorative oil paintings convey the language of cultural values and spiritual connotations.The main research methods of this article is the closely idea, citing the relevant literature, and representatives of the artist works on behalf of an analysis of induction, proofing layer to layer, carriing out which according to combination of theoretical and practical methods to conduct in-depth evaluation.