The Breaking Phenomenon Of The Modern Acceptance Esthetics

Acceptance esthetics was born in Germany in the 1960s of the twentieth century and it had laid great impact to the research for esthetics which had caused changes and reverses to the creativity and acceptance. The art has developed from the period of creativity to the level of acceptance. In thinking of the acceptance, it has broaden the horizon of the artists and guided them to create their works whose thoughts been promoted into the level of acceptance. However, being a milestone which let people's view turn from creator to accepter, there are still differences in appreciating arts between them which lead to different evaluations of those works of arts from people of all walks of life. It has blocked the realization of the value of arts in the process of acceptance in varying degrees, and this breaking phenomenon of the acceptance esthetics is the nature of existence. In order to avoid or ease this situation, the traditional art creator has set an extraordinary calling structure to their works, in which the typical embedded structure and ritualized structure are included. These made the works summon our spectators to join in during the process of acceptance and lead to the accomplishment and extension. But it cannot solve the breaking phenomenon. It is quite interesting that the breaking phenomenon has arisen some new features in the development of modern arts. What will be represented in this essay are to analysis the pattern of the phenomenon, make comparisons with the thoughts of traditional artists in their works under the acceptance esthetics and think out the cause of all these.