| Long history of Chinese painting, Chinese figure painting as one of three branches of Chinese painting, it's ripe to be earlier in the landscape and bird, its historical value and character of norms, and it embodies the great inclusive and richness are incomparable landscape and bird. Since ancient times, Throughout its history, both its external painting technique or style, the depth of its ideological content, all with distinct characteristics of oriental taste. Generally speaking, traditional Chinese figure painting, especially since the Tang to the Five Dynasties portraits are realistic, consistent since the Tang Dynasty, "Vivid" aesthetic characteristics. However, the strong influence of traditional Chinese culture, Chinese Traditional Brush figure to Western painting style has not completely mimic the realism, but rather presents a realistic features with China Eastern form. The difference is with the Western painting, Chinese traditional aesthetics has always been an object is not static, physical, physical appearance, but the object of the inner function, structure, relationship; while this function, structure and relationships, and ultimately it was decided from the and dynamic life. Ancient Chinese painting surface of informality in the objective reality of things, not from a fixed perspective and realistic observation of objective things light, good at creating, making arts into the artist's own subjective wishes, ways to Perception of the object in view, and thus great writing real-time access to freedom. This article is to start discussion on this point. Divided into four chapters, the first chapter focuses on a representative based on the paintings of the master and the analysis above, while based on the aesthetic point of view, combination of classics among the artistic theory interpretation. Drawing from the works of the language, techniques, skills, work in depth on the overall comparative study. Chapter II discusses the combination of ancient decorative form realistic figure paintings, by painting a large number of records and work history analysis shows that the ancient figure shows the basic aspects of realism, and realistic style of painting and decorative style of inheritance and development, thereby composition, drawing, color and other specific performance of such a realistic form of language that is essentially the special. Chapter III left by the ancients for the analysis of the enduring masterpieces, objective and comprehensive language lines from painting, color and composition, and combine their own painting to study it in detail drawing skills. More importantly, study the ancient paintings, the images for the creative idea of the circumstances that emotional expression and their own arrangements for Meaning atmosphere, in-depth form the shape of ancient Chinese painting of God the question of comparison, and the overall image pattern of the plane and space continuity. On the basis of inheritance, learn and explore innovative, rich cultural accomplishment of their own to improve their drawing skills. Chapter IV is the conclusion.
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