Survey And Research On Yongnian Xidiao

Western transfer, also known as "Zezhou tune"or "three straps, "is enshrined and worshiped by the Shanxi Shangdang clapper Yongnian County, Handan spread to form a local opera. Yongnian West tune is a board chamber vocal style for the requisition, structural integrity, full of changes, the use of true, the combination of falsetto singing method, and a repertoire of more than a traditional department, line of business is complete, show rough mad, heroic, local Strong flavor. The opera was included in 2007 the second batch of national intangible cultural heritage.With the era of social progress and development, cultural diversity and contracting markets, the impact of commodity society, the lack of talent, the audience aesthetics and other factors, so that the development of Yongnian the West there is a great tune crisis. The author transfer Yongnian West State Theatre as a case study in the folk music field with the survey method, Troupe conducted a comprehensive study sufficient to adjust the status of the West have a certain understanding, and thus their protection put forward their own China.In addition to introduction and epilogue, this paper is divided into four parts:Chapter by combining the relevant historical data and analysis of word of mouth spread the word artist, first described the natural tone of Yongnian West, geographical and cultural and historical environment for a long, followed by Western transfer of Yongnian the origin and flow of the drama described.The second chapter is Yongnian transfer music ontology of the West, including Western tone plate classification, music tunes, modal tonality, melodic characteristics, accompanied by the form and so on.The third chapter is the author through field investigation, adjustment of status Yongnian West have a certain understanding, first described the troupe's history, membership, living conditions, income and expenses, and other aspects of theater management system, followed by transfer of the West Theatre Transmission and analysis of the situation are described, and finally transfer of the West by relying on two living space - rural folk and official contexts, it provides a certain amount of theater income, but also won the reputation gains.The fourth chapter is to adjust the Decline of the West Yongnian and protection of thinking, from the perspective of the intangible cultural heritage, protection of Yongnian West tune there is still a big problem, in the face of this situation, the author conducted in-depth Thoughts and some solutions proposed, and the future development of Yongnian West tune pinned high hopes.