Simple Analyses On Character Of Harmonic Technique Of Ding Shande's Vocals

Mr. Ding Shande is one of the most representational and influent composers , pianists, educations, theorist in the music field in today china .His composition concerns on symphony, chorus, concert, chamber music, piano opus, artistic songs and so on. The article is based on his vocals , analysing and researching their harmonic technique and style from the aspects of the chord structure ,the harmonic progression ,the mode and tonality etc. it is practical and theoretical for us to explore the fusion of some native specific style, use for reference certain measures for melodizing technique in modern times, expand methods and principles for inditement , flourish contemporary music inditement in our composition.The themes consists of preface , instruction text and ending words. In the preface , it simply introduce the life of Mr. Ding Shande and the situation of his vocals composition . The text includes three parts . part I analyse the chord structure in the opuses , especially the non-traditional conformation of the chord . part II analyses the characters of the harmonic progression in opus ,which mainly include non-traditional conformation of the linear motion and the parallel motion . part III analyses the feature of the mode and tonality including the structure of mode ,the manner of showing tonality , the way of changing tune, the composition of tonality and so on. The ending word gives two reflection : the first one is that we must treat earnestly and resolve well the problem of the native and epochal in order to develop and substantiate the composition of Chinese music .The second one is that we do not ponder the native characters of the opus according to the traditional and non-traditional traits of the music technology.