The Study Of Chinese Opera

Chinese opera has become a very important form of art performance on the stage of literature and art since it was born in early 20th century in china. Opera is a comprehensive stagecraft. As an imported goods, the artistic style of Chinese opera has taking shape nearly through a century 's development.It is not only characterized by opera,but also combined with the quintessence of Chinese art.Thus the research of Chinese opera is primary and necessary for the studies of "nationalization".This issue mainly emphasizes the analysis and arrangement of nationalization studies on operatic vocal music in creation and performance of some music works. Therefore, the music works itself, the composer,the materials of personal experience of singers, and relevant music criticism are the main objects to be studied. As theoretical basis, the studies of opera, trad opera and national vocal music are indispensable components in this research.From the macroscopic view of history and microcosmic view of musicology,based on the sequence of the production of music works, combined with the historical backgrounds and other relevant historical components, this paper analyzes the nationalization practice on creation and performance of operatic vocal music in the course of development of opera from the microcosmic view of musicology. Through these studies, this paper tries to put Chinese opera into the long historical flux and to review,rethink and generalize the experiences and advantages. In microcosmic aspect, this paper devotes to abstract the techniques and methods of nationalization of Chinese opera through arranging, analyzing,generalizing and inducing some Chinese opera.All of these experiences are worthy of using for reference to the creation and performance of our Chinese opera.