Zhang Jie's Novels Language Melody Beauty Analysis

The melody of Chinese literary language possesses incomparably artistic fascination to the other languages'. Mr. Wang Li, our country's famous linguist, once wrote in his Brief Dissertation On the beauty of Language Modality, "the reasons of language modal beauty come from its integral beauty, cadenced beauty and reverberant beauty. All these are possessed by music, therefore, the modal beauty of language is also called musical beauty of language." Just because of the research value and important function of language musical beauty, inspired me to analyze it through the language beauty of Zhang Jie's novels.Literary language's rhythm and cadence beauty are goals for writers to pursue. Because if readers are not pleased by ears, they will not be interested in the even profound contents. Therefore, when Zhang Jie goes deep into feminie problems and social problems, she attaches importance to explore the melody in novels' language out of preference to melody and sensitivity to language. The article is composed of four parts, which particularly expatiates the melody of Zhang Jie's novels from the use of language structure, glossary, rhetoric and long sentence.With the change of time, the change of subjective emotion and the change of her novels' contents, Zhang Jie's language style also shows the changing track: from brisk to verjuice, and to circumlocution. This also shows Zhang Jie's language expressive force has graduated into consummate with mentality mature. We expressive this language change rule with corresponding music term: from children's song to rock-and-roll and to symphony, which also shows developing course to the nines and mature. Therefore, from LOVE, IS UNFORGETTABLE to ONLY ONE SUN and to NO WORD, we pay attention to social meaning, and delve artistic style of Zhang Jie's novels. At the same time, we explore its language cadence, analyse language developing rule, and acquit artistic language's melody rule more fully.