The Research Of Animation System

With the development over fifty years, the method of system theory has been used in several fields of natural science and social science, which got an outstanding achievement. The research of semiologie, the train of theory of film has been expanded from the inside of film to the other fields those are outside of film, such as linguistics,psychology, semiotics, narrative, sociology, and so on. It makes the research of theory of film has such scholarly value and affects the creation of film deeply. As an unique audiovisual media art, animation has been developed for about one century and it has been ripe day after day. Its special value of art, culture, commerce and society can't be replaced by other art forms. This system is objective. However, different animation system has different optimized level and different construction arrangement, which will affect the quality of animation. The arm of this paper is to establish the terrace of animation system theory, so that we could solve the problems of animation, inside , but also outside. It will be significant to integrate the existing resources of animation theory, talent, profession and etc., which will make animation system developed more optimized. The key of this paper is to introduce the conception and method of system to the research of animation theory and make it develop systematized, build the basic frame of animation system theory, explain its connotation and nucleus idea, set up a calculated model of animation system and check this model by the animation practice, with scientific method of system appraising, revise this model practically and objectively, Build the foundation and standard of animation system theory by analyzing the system model, explain the system mechanism why there are so many possibility of animation. Compare the animation systems of China, Japan and U.S.A. crosswise, to find out the bottleneck of our present conditions of animation. Another part of this paper is to introduce the conception and method of linguistics and semiotics to the animation system theory, enrich the theory set up, and make it more consciousness. Research the language mechanism and symbol mechanism of animation. The main achievement is to establish the system connection between the three kinds of stratification of animation language and the three kinds of reactions of animation audience, pose an "experience of social existence", which could offer an objective foundation between the equal communication of animator and audience, this will be important to guide animation creation. Explain the viewpoint that animation is a metaphor, the largest thing-itself is experience of society, another side is animation itself. Introduce the semiotics conception "role" and "performer", approach the symbol connection between animation audience and animation system, excavate the different character out and enrich the animation system theory.