The Factors Of Images And The Combination Pattern Of Feng's Ci

Ci is one of the ancient "four treasures of literary composition in rhythm".As anoutstanding representative of generation,it experienced the long and complicatdeprocess,which is from the birth of Ci to the mature of Ci.During the period,late Tang Dynastyand Five Dynasties is no other than an important dra of the foundation and formation of Ci'sstyle.At that time,many writes made a huge contribution to the development of Ci.Feng Yansiwas one of the most important among them.At the beginning of the development of Ci,FengYansi ,by means of his personal characteristic creation,made a series of initial contributionoccrpying an important position in the history of Ci.There,however,have not been thoroughand very clear study on what special art quality Feng'Ci is ,which aspects have to expand thecreation and what decisive position it is in the history of Ci.All above those are lack of entirestudy.The text is divided in to five parts.They are constituting from the preface,three chaptersand conclusion. Preface: An introduction of research objects,contents,resesrch angle,basic theories andthe aim and significance of studying such a problem. First chapter: Starting with the angle of the choice of images,I would aim at artisticfactors which are rich in them through the characteristic category and pattern of the choice ofimages.At the same time,I would analyse the outside causes which lead to such aristic factors.Thus, I can make an overall expalnation of the whole style and aesthetic feeling of Feng's Ci. Second chapter: Starting with the angle of the combination of images, I wouldanalysethe ryhthm of the structure of images of Feng's Ci and the whole means and structuralrules.I would display the characteristic artistic feeling through blazing new trials of outertechnique of expression. Thus,I can inquire into the inside phylosophical connotation andpersonality fascination. Third chapter: Starting with the angle of the extention of images,I would explore theideological connotation and inside causes which form its arististic factors, with the writer'slife experience. Thus I would raise them to the suffering of "the monarch and hissubjects ""famliy and country" and clarify the profound nature of Feng's Ci . Conclusion : I would give a conclusive explanation of arististic factors and initial natureand fix its historical position and funtion of Feng's Ci.