The Application Of Face Morphology On Plane Design

Face, as a kind of visual language, is a topic which people always focus on. Face in the natural shape is only as a symbol of individual existence, an individual sign, needs of satisfying the religion, warfare, beautification of body and mind. The art mold of face which took symbol as a method was a transformation that dated from the unsatisfaction of primitive people towards themselves, because of this, the new form came into being. As a kind of symbol-face, its appearance condition at first was expressed in the form of drawing. It appears on cliff painting, bronze ware, pottery, etc. It was gifted mysterious color, the continuance of human experience, emotion and the exchange and development of civilization. From primitive society to modern society, face bears the weight of different emotion and expression. In remote antiquity face was totem-the symbol of myth. Face condensed a kind of huge primitive power, full of fear and terror, expressed a kind of power and beauty, and expressed a kind of hope towards uncertain world. And face also expressed the primitive and un-definable religion emotion, sense and ideal. As a mask, face which has different functions of form and language. In primitive society, face bear the weight of religion sense and sorcery sense. In modern art, face in primitive art is inheritance and reference of modern artist towards the sense of primitive art. On the sense of mold, face inherits the mold and the collocation of color of primitive art, breaks the sense of imitation which art towards nature, uses for reference of spirit sense of modern art, makes good use of all kinds of media and methods. Gaogeng expressed his primitism in a special way-through the achievement of himself, and believed that it help himself return to his own spirit. Martis realized the special mold and bold expression of color of African art in 20 century. Picasso took the relatively appearance from African art, but towards African art his grateful feeling was not on the surface, it was profound. His technique of drawing had very important relationship with tradition of primitism. Look at his masterpieces, the line in painting is quite simple, the color is so beautiful. And the bold deformation technique is just the same as the mysticism abstract mold in primitive art. Although all these appearance are all created in Picasso's imagination, the feeling is stored in his brain as visual memory, and will break out in certain time. The new mold system acquires new visual reaction through the usage of modern technology and computer. The scatter of postmodern art, appearance, his reproduction of commodity and self-popularization, all of them make the boundary of artic language become vague. And its specific form mainly expresses the repeat and connection of shape, strengthen and weaken of technique, the appearance and experience of process. The morphology of face will appear a more wonderful picture. On the aspects of color and mold, face will give people huge imaginative space and visual shock.