Time, Space, Emotion: Architecture Expression In Films

Famous Finland architect Aalto has said: "The modern latest subject designed is to make the rational method break through the technological category and enter the fields of the human feeling and psychology. "This is an emotion question of the architecture.With to building and urban deepening that space study, emotion, humanized space return theme to reach urban life step by step, that is to say the emotion space has been one of the pursuit that has never changed in an urban life all the time, have been neglected only at some time. The city is in love, the building is in love, the environment is in love, it is the real design philosophy of " people first " to only proceed from people's true feeling to the space and design practice. Whether we the reason why research building and film express connection among, the purpose lies in this promptly. Emotion of the building space.As a culture result, the film should reflect certain content to certain crowd. So the unavoidable one becomes one of the targets whose culture studies, architecture can appear as mother's question at this time.Architecture is, in quite a profound sense, the subject of nearly all feature films. Architecture frames the story film tells: indeed, it is far more importance to film than to that other great purveyor of narrative, the novel. Film, that medium of unique visual intimacy, understands the interiority of its characters primarily through visual clues. It uses architecture, and in particular the space of the city, to carry its metaphors and commentaries on the characters and the psychological and social-as well as the physical-context in which they dwell. In performing this multiple role, film can often be more precise about architect's material and technical possibilities than the technical literature itself.Have noticed these earlier and there are many scholars to begin to study and design with the inner link between philosophy in the Western countries, examine and display the respect artistically about the movie & TV of environmental architecture, for example keep the relatively complete video documentary film and materials about the building and environment, the artistic work of movie & TV and environmental building artistic work behave and study etc. for example, Katherine shonfield proposes in her article "Wall have feelings: cult films about sex in 1960s London" that to understand what filmtells us about architecture one must look at where it is conspicuously absent as a subject-to what cinema does best: love and romance. Thus, she links the building, sex, film, human emotion and social ideological trend together, have made more unique and deeper discussion.But as a newer subject, it is incompatible with that terrible, cold and detached " high efficiency " of our modern society that this kind of research still seems, it is still not so overall to study , has not taken shape more riply and got generally acknowledged systematization either. Though is it is it watch to come to separate, environmental building and movie & TV art one's own theory and practice their study already quite complete. The film theory of our country at the present stage and environmental design theory of building are not perfect, still when draw lessons from western corresponding system, this kind of research seeming to " have no benefit" stands opposite each other much more poorly , this is a problem of meritting attention and solving . Certainly, being paid attention to the design and movie & TV art by people, people will be willing to understand and study the problems in this more respect, and will carry on the deep discussion with this.This text makes every effort to pass the main means of the film: Montage and long lens , offer the new mode of thinking and system for architectural design, through analysing the time of architecture, the expressions of the space , emotion and even sex in the film, to study the emotion problem of the architecture. Film and architecture, the two are both art, and the spiritual activity that people think and practise, so the two will chan...