The Diversity Of Singing Style Of Contemporary National Vocality Works

This paper attempts to carry a comprehensive research on the diversity of singingstyle of contemporary Chinese national vocality works. From the angle of historicaldevelopment and current status, the writer integrates research methods ofcoordinating singing styles as a whole and scrutinizing different pieces. The first chapter of this paper mainly examines the historical reasons ofcontemporary Chinese vocality works' singing style diversity. Starting from the rise ofnew musical culture in China at the beginning 20 century. As the history andbackground of China's concurrent national vocality singing style diversity .Thisresearch combines Chinese social culture, changing characteristic between eras, theinflux of western new music culture and its influence towards Chinese vocality workscreation and singing style. A coordination between constant changing anddevelopment of singing style and a constant movement of our country's music culturein practice is performed. The second chapter goes to several successful cases on practices on ShiGuangnan's creation works, makes a deep research on contemporary vocality work'ssinging style diversity. Thus, make up to the flaw of mere sum-up research methods. The conclusion part is an important section of this paper, it delivers the purposeof this research. Only a deep understanding towards historical and current status ofChinese vocality works can we better develop our future music cause.