Cross And Separation Between Early Chinese Film And Drama

There are indissoluble bounds with the drama during the process of growing up of film, in the course of film's becoming independent art, a large number of maturity experience of drama has been absorbed and studied undoubtedly, and the film must break away from the attaching with the drama .This text use several ten thousand of characters, on the basis of a large amount of materials, base on film aesthstic development of characteristic, has combed the phenomenons , questions and states of crossing and separation between early Chinese film and drama, and try hard representing the era orbitting of the. filmdomming's exploring clearlyIn the part of the introduction, this text starts with the historical meet from Chinese film and drama at the beginning of the 20th century, sums up that the two in aesthetics are similar, and the thing from abroad combines with national style , which have caused the Chinese early film actors accepted drama from audio-visual.The article has described the combination of the film and modern drama especially, and demomstrated several respects of crossing: The crossing of the theory, the crossing of personnel, the crossing of creation. Propose gradually progressing characteristic in theory of Chinese film.Explain the eternal dialectical relation between film and drama finally.The second part has three chapters altogether. Chapter one probes into theories'crossing and the origin of the early film depending on the drama in detail , and describes compatibility in the sport and performance between the drama and film. In cross of personnel it describes Zhen Zhengqiu and Tian Han mainly. Chapter three has expounded the intension of dramaticism and dramaticism planted into the film in an all-round way.The third part expounds mainly that the film established its own aesthetics slowly on the creation for the theory, and is divided into the two parts of "Visiting for the first time " and " Director law", and in the fact on the creation expounds" the aestheticim creation".The fourth part concludes the speech , and describes the importance of the relation researching between film and drama mainly.The full text adds up to 44,000 characters.