Research On The Artistry Of The Fictions Of Women Writers In Beijing School

Although being at the edge of the times, the women writers of Beijing School that possessed the profound Chinese-foreign culture and the pluralistic artistic accomplishment made the distinctive historical contributions in the field of modern fictions. As far as they are concerned, the modernism and the unique concept of fictions is the total strategy in the artistic creation of fictions. With the essence and inherent law of literature being regarded as the stipulations of their writing, they built the concept of fictions stressed on pure artistry on the one hand and on the other they merged the traditional realism in domestic literature and the new-type western realism and modernism together, so as to devolved themselves to construct the distinctive modern national fictions, which descript women and children and the people of up-and-down strata as well. Their modern cultural consciousness contributed to filter through the ideologies drew from psychoanalysis, and entrust to the deep structure of fictions the profound cultural meaning, while they used the aesthetic elements and techniques of Chinese-foreign fiction, poem, prose, music, drawing, architecture, carving and drama for reference and merged all the above factors in the creation of fictions, then came into being the comprehensive artistic form of the fictions, which composed mainly of narrative and mixed lyric and dramatic togetherThis essay regards these women writers as a group and attempts to research the total style and feature of their artistic creations with the aesthetics and historical method that integrate the ideologies of Comparative Poetic, Narrative, Psychoanalysis and Women Criticism, so as to approach further to the unique consciousness and concept of their fictions and the ethics implication and the formal aesthetic trait of that, in that we can summarize certain valuable artistic experiences.