The Spatial Form Of Chinese Contemporary Fictions And Its Configuration Technique And Aesthetic Characters

The academe in China hasn't paid much attention to the "space"of fictions,comparing which has done to the "time"of fictions. And the research for form-spaceof context is scarcer than for content-space of context. The dissertation takes theChinese avant-garde fictions of 1980's for examples, uses the concept of "spatialform", which was brought forward by an American critic, to analyze the spatial formof Chinese contemporary fictions and its configuration technique and aestheticcharacters, in order to deepen the research for form-space of context.There are four kinds of technique to configure the spatial form in Chinesecontemporary fictions, as follows: juxtaposition, multilayer stories, imago repetition,and exaggerated fiction. In every single part, the dissertation analyzes the backgroundof the technique at first, then describes the structure of context which is configured bythe technique, and discusses its aesthetic characters. Finally, the dissertation makes anacademic judge of the spatial form of Chinese contemporary fictions, and summarizesthe apocalypse to contemporary literature of China.