| Mythical stories established a visional world where the human and the ghost were together and the ghosts and goblins live.In virtue of the stories of celestial being,fox,evil spirit,the monsters which have become evil spirit and the charming of the ghost,the novel narrates what is and what was which is true and false and virtual and real.The development of mythical stories peaked in Qing dynasty.The appearance of mythical stories is due to interest which forced the source of creation of the novelist towards the fantastic world which is fantastic and colorful and confused and flurried on one hand;On the other hand,it relates to the personal factors.Freud Sigmund ever said that: “happy people never fantasy and fantasy is produced by those whose wishes are never satisfied.”During the study of exaggerated shapes in Strange Tales of Liao-Zhai which is a mythical story in Qing dynasty,we collected and tidied the material of the novel,referred to folklore,mythology,philosophy and sociology and other relevant knowledge and had a deeper understanding and interpretation for the exaggerated shape.The exaggerated shape in Strange Tales of Liao-Zhai is fantastic and strange,exaggerated and bold and deep in meaning.The paper regards the image of exaggerated shape in Strange Tales of Liao-Zhai which is a mythical story in Qing dynasty as the research object,summarizes the overall characteristic of the exaggerated shape in Strange Tales of Liao-Zhai through the analysis and summary of the exaggerated shape and discusses the motivational reason for exaggeration of the image of the god,the fox,the ghost and the monster.This paper has four chapters.Chapter 1 includes motivational reason for exaggeration of the image of the god,the fox,the ghost and the monster in Strange Tales of Liao-Zhai.Why is exaggerated shape used in Strange Tales of Liao-Zhai and what is the motivational reason for these modeling to be exaggerated.From the perspective of physiological motivational reason,it is a necessity of survival for avoiding disaster and seeking profits while avoiding harms;The wish to be beyond the form and immortal is the motivational reason for exaggeration of the image;From the perspective of social motivational reason,the concept of unity of heaven and man and the belief that everything has the spirit,the social atmosphere for adoring the celestial being and the god and the territorial cultural tradition for talking about the ghost and the monster are motivational reasons for exaggeration of the image.Many stories in Strange Tales of Liao-Zhai which are mythical stories not only have fable features,the nature of the fairy tale and mythological nature but also have folk-custom nature.Chapter 2 includes the technique of expression of exaggerated shapes of the god,the fox,the ghost and monster in Strange Tales of Liao-Zhai.It synthesizes the technique of expression of literature and the technique of expression of art.We can draw the conclusion that the exaggerated shapes of the god,the fox,the ghost and monster used the contrast which is distinct in character,the symbol which has deep meaning and transference which is an interactive blend of scene.The contrast technique can be the distinct contrast between small and grand and between majestic and humorous.The symbol represents pure love and kindness to correct the mistake.Transference is a way to call the love with love and compare the love with the object.Symbol is the main technique of expression of Strange Tales of Liao-Zhai.Chapter 3 includes the feature of exaggerated shapes of the god,the fox,the ghost and monster in Strange Tales of Liao-Zhai.Firstly,this chapter classifies the exaggerated shape in the mythical story in Qing dynasty and there are two types for the classification of object type and people and celestial being and god according to the types of species.This chapter conducted systematic carding for exaggerated shape according to these two types.Then,it discusses the characteristic of exaggerated shape.The exaggerated shapes of god,the ghost,the fox and the evil spirit is analyzed the from the feature of appearance and they have exaggerated proportion,different material and the same structure,vivid form,abundant skin texture,subjective color using and a lot of decorations;Analyzing from the feature of character,they have already started the gradual personification and anthropomorphism.These exaggerated shapes compared objects to humans and compared humans to objects.No matter how the animal and plant monsters change in Strange Tales of Liao-Zhai,they are similar to humans after they become humans,blend in the society where humans live and have the thought and emotions of humans.Their exaggerated shapes follow the logic and conform to common sense.Chapter 4 absorbs the traditional nourishment and draws a new image for exaggerated shape.It mainly surrounds the use for reference and creation of the exaggerated shapes of the god,the ghost,the fox and the evil spirit in the works of illustration in Strange Tales of Liao-Zhai.Combing the theory and practice of Chapter1,Chapter 2 and Chapter 3,this paper discusses the process of conception and creation of illustration creation of Meiyi Wenqi.The process for conception creation is divided into integration of material of fodder and location of creation style of the drawing.After the creation of illustration is finished,the illustration is applied to the packaging and multimedia presentation of the product.The image of exaggerated shapes of the god,the fox,the ghost and the monster in Strange Tales of Liao-Zhai changes turgidly based on human's form.In the construction of the picture,this paper has immersive narration and observation perspective.In the tone,all ancient and rustic and natural colors can have positive reference function for illustration creation.The exaggerated shapes of the god,the fox,the ghost and the monster in Strange Tales of Liao-Zhai makes the bizarre and unknown image more real,makes color match steadier and more concise and makes the construction of a picture transfer more story property.Strange Tales of Liao-Zhai,provides abundant creation material for illustration creation.The artistic methods of some contrasts,symbols,and transference in the novel play a driving role and have reference function for the process of creation.Human's ideal to pursue exaggerated change has not gone away all along.The force of mythical stories can open the door of imagination and build relevance—not only the connection between humans and the nature,but also the relevance between humans and other ethnic groups.Mythical stories show the common grounds between humans to us: No matter which kind of culture we come from,no matter which age we were born in,our love for and appreciation of beauty will never disappear.It seems that mythical stories are describing the imaginary world,but under cover of the world which is a mixture of truth and falsehood is the “shadow and reflection” for the society where the author is in.Under the social background of silent resentment,the men of letters in Qing dynasty can only satirize current affairs through talking about ghost and monster novels.The exaggerated images of these animals,plants,humans and celestial being express the subjective thought,mentality,personal interest and ambition and emotional attitude of the author.Conduct exaggerated change for the modeling of the god,the ghost,the fox and the evil spirit in mythical stories to highlight the image character so that the image can be more vivid and livelier,the concept determining is deep,the impression of the public is deepened,and the dramatic properties and interestingness of the story is increased.The author of mythical stories uses the abundant imagination and wisdom which belong to them based on the ideal: Humans can change into all things and all things can change into humans and humans and other things in the world are the same in terms of the nature.Human's spirit will not die,and the lives can transform,continue and be beyond the time and the space.This is the author's yearn for permanent life,and the hope for the long existence of lives. |
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