Chinese Dialect Issues Of The Novel In The New Era

This article attempts from the literature idea and the language idea have the huge change angle. It research the used question of the dialect of the new era novel's creation in: it researches the actual utilization and changed situation of the dialect in entire new era writer;contrasts the writer of the different area where dialect is spoken who used the different characteristic of the dialect;researches the function of the dialect expresses the experience of life and the in-depth experience to the writer, of the dialect molds the region culture as well as esthetic function of the dialect in the literary language. Present paper altogether three chapters.First chapter longitudinally combs in the new era novel the used situation of the dialect from "history" the angle. Plans divide into such several stages: first, from the end of 70's to the beginning of 80's. In this stage, the new era novel's creation just started, also was toed the line in the language, the dialect's use was constrained in the condition. Second, 80's mid and late parts. This time, the Chinese writer's literature idea and the language idea all had the very big change.The writer emphasized the personalization of the language, so many writers started to profit from and to use the resources of the dialect. There were a group of prominent writers: Zhu Xiao-ping ("Sang Shu ping Record"), Li Rui("Thick Earth" series), the Zheng Yi("Old Well", "Far Village"), Shi Tie-sheng("My Remote Qing ping Bay") and so on. After the 80's intermediate stages, the cutting edge novel and the new practical novel rise, the huge change of situation, Yu Hua and Sun Tong took the south writer, they have to constrain own dialect. But in the group of writers' text, the dialect still tenaciously displayed, like Yu Hua, according to Shao Xing opera's melody wrote and so on. Third, from 90's to now. The creation's multiplication appeared in the 90's until now. Some writers still explorate the effective way of the dialect's use. Like Han Shao-gong "Horse Bridge Dictionary", Mo Yan "Sandalwood Punishment", Yan Lian-ke "Shou Huo", Lin Bai "Woman Chats Record", Jia Ping-wa "Qin Qiang" and so on.Second chapter, according to the several big and representative area of the dialect is spoken, it horizontally contrasts the writer of the quite different dialect's area whose usesthe characteristic of the dialect in new era. It divides into three approximately. One is away from the far dialect with the standard spoken Chinese, likes the writer of the Guangdong, Fujian and Wu dialect and so on, by Fan Xiao-qing, Han Shao-gong and He Dun take the example carries on the analysis. Two is the certain relation with the standard spoken Chinese also with the certain distance the dialect's area, such as Sichuan, Hubei, Yunnan, Guizhou dialect's area. It may take Chi Li, Fang Fang and so on as the example writers carry on the analysis. Three is the writer of the north dialect's area, Henan, Shandong, Beijing, Tianjin and so on in this scope. It takes Yan Lian-ke, Mo Yan, Wang Shuo, Feng Ji-cai, Deng You-mei, Lin Xi etc as the example carries on the analysis. Again is the creation of the national minority's writer of the language color of the heterodoxy completely. It takes the national minority writers - A Lai and so on as the example carries on the analysis.Third chapter analyzes and explains the cultural significance and esthetic effect of the dialect's use. It has three aspects mainly. First, the esthetic function of the dialect's use. The dialect is a writer's mother tongue. The childhood memory and experience of the writer all reserved and refined in the dialect. The dialect influence the unique esthetic expression of the writer, To many writers, the used dialect is helpful to the writer expressed the life understanding and the in-depth experience. They give up the dialect to be able to create to life being cut off. The dialect's use firstly can build the novel esthetic effect - language's strangeness. Second, is helpful to the region culture of the emphasizing and highlighting. Dialect itself is a region culture sign. The writers suitably use the dialect to be able to create the atmosphere of the rich region culture. Third, is helpful to the creation and the formation of the writer's literary style and the language style. The bottom color of many writers' language style is a dialect, for example left Beijing's dialect, Lao She's style has had no way to appear. The dialect and writer's language style's question appeared similarly in contemporary writer.Dialect has positive sense in creation and is continuously obtained the confirmation from various aspects. But the dialect produced some questions that had not paid attention in the 90's. There are the following questions mainly. First, the excessively dialect's use creates the exchange barrier question;second, the dialect's use creates vulgar question.