The Panting Of Fiord In Poetic Music

Just like "the interpretation"in the title of the thesis, it connects the ancient and modern, excavates thesignificance in the best way. The historical literature and the phenomenon can be activated and thusobtain modern significance through the interpretation;the latent significance of a theory, a work or aphenomenon can be explored through the interpretation and new significance can be obtained. The thesisis guided by the most universal Hermeneutics of the 20th century philosophy and I integrate my uniqueperspective and thought pattern into the significance interpretation of Grieg's Piano Concerto in A minorin order to excavate the profound aesthetic value and the modern significance of the work, and finallyform my own performing style through a comprehensive study of a subject in the piano performance.Appling multidisciplinary, multiple perspectives as research method, the paper attempts to break throughthe original research mentality of "discussing music for music" and puts the research of Grieg's PianoConcerto in A minor into the broader cultural background and comprehensively utilizes the theoreticalachievements of philosophy, literature and art, anthropology, ecology aesthetics and so on thus carries ona deep interpretation of the musical work, which make it rich in the characteristics of Chinesecontemporaneity and humanity radiation. The academic creativity of this paper lies in the introductionof ecology aesthetics viewpoint and method into the concerto research. Considering it as a kind ofresearch approach and the method is also acceptable. But if we say it represents a new kind of musicphilosophy, it is more accurate. Because, the introduction of ecology aesthetics concept into concertoresearch, from the human and the nature, the human and the music interdependence on observing highlythe survival, changes and development of Grieg's Piano Concerto in A minor which further promote thehorizon of research field.The full text can be divided into five chapters. Starting from music analysis, the paper carefullyexamines its music style, appreciates its esthetic value and interprets the work from a new angle anddimension and finally achieves mastery through a comprehensive study of a subject in the pianoperformance. First chapter mainly explains the acoustic structure unique individuality and the artrepresentation of Grieg's Piano Concerto in A minor from the angle of music form. The second chapterinterprets the style characteristic of Grieg's Piano Concerto in A minor from an omni-directionalperspective. The concerto is just like a wonderful fusion of many kinds of styles: the romanticism style,the nationalism style, the impressionism style, the realistic style. The four kinds of styles interweavewith each other, which forms unique individuality style of the work. The third chapter concentrates onthe work's aesthetic value. Grieg's Piano Concerto in A minor has absorbed the strong points of poempicture art so it not only displays "poetry" but also could it draw "picturesqueness". It has both poeticflavor and the painting beauty. The fourth chapter intends to throw light on the in-depth connotation ofGrieg's Piano Concerto in A minor from the dimensions of music anthropology and the ecology estheticsand attempts to excavate historical implication which the work intends to conceal, and entrusts the workwith brand-new modern implication on this foundation. The fifth chapter, setting out from the practice ofpiano performance, summarizes the techniques and principles of performance (to choose ways oftouching-key according to timbre imagination), seeks the rule pattern of memory (to instruct memoryway based on harmony progression), and better expresses the work implication by one's vision fusiondeduction style.