Harmony And Conflict

First, this thesis mainly discussed the fight and mixture between humanism and Christianity theology, the two sorts of ideological power in the period of Renaissance, by means of analyzing popular artistic form: the God-Man dialogue. Then concluded that the humanists in the Renaissance didn' t against the Christianity theology, their fundamental view of philosophy laid in the existence of the God and admitted its power. The basic character of humanism conflicted with Christianity theology, and its progressive result and positive meaning in the course of human' s ideology history wasn, t the result of humanists' subjective desire. It also was not the result of the objective fact linked with the humanists' subjective desire. It was the historic result of objective selection. According to the total inclination of their ideology, theology was the dominant ideology, and the human science was the value.Second, on the fundamentals of the argument that the humanists didn' t against the Christianity theology, the thesis analyzed the concrete manifestation of the fight and mixture between humanism and Christianity theology in two aspects: the formal harmony and the internal contradiction, pointed out that the formal harmony was the main embodiment of the relationship between God and Man, and the internal contradiction was the determined factor of their relationship. Then analyzed the formal harmony was abated as the power of humanism increasing during the Renaissance from three aspects: the theory of the Mini-universe, the theory of Utopia and the theory of faith and the rationality. And analyzed the internal contradiction between God and Man was intensifying as the power of humanism increasing during the Renaissance. Finally concluded that the two styles of the humanism aesthetics was embodied through...