On The Surviving Strategy About Tibetan Themes Film Under The Market-directed Economy

With the surging tide of economic globalization. Minority interest in the development of each film would have been encouraged by the achievements made and that, will be deeply feel that minority film industry is facing a strong blow. At present, minority film in mainstream Hollywood films with domestic double squeeze the living space is getting smaller and smaller. In the face of globalization speaking context, based on the relationship between conflict and harmony, the film thinking minority status and prospects of survival and put forward practical measures are very necessary. This paper based on Tibetan themes film facing reality, the development of the film from minority trajectory and specific starting times environment, First of the 20th century to the late 1950s to the 1960s a specific cultural patterns of minority film narrative form of a summary, And in the movie "SLAVE" focus their cultural patterns, for example reviewed and reflection, a careful analysis of the positive and negative experiences. Second to the last century in the 1980s, minority subjects to focus on the analysis of cultural patterns film "The Horse thief" as an example, and from the "national creative visual and screen", "topics' winning theory 'and industry awareness," "social and cultural environment," the three Tibetan themes analyzed the current status of the film with difficulties. Thus "localization" is the key to the survival of the Tibetan film themes recommendations on the "localization" meaning made on its feasibility. Subsequently management concepts and systems through the film, the film creative mainstay, and the analysis of the form factors of the market economy Tibetan stories of how the survival and development of the film, the film adaptation to globalization Tibetan themes speaking context, and in its globalization speaking context, a mechanism to achieve a virtuous circle of survival Chinese films at the same time to achieve genuine pluralism and cultural integrity made on the local, independent artists, arts-oriented development strategy.