| This dissertation deals with research into digital movie aesthetics.The introduction outlines the situations where digital movie created and the experience that they underwent. The first chapter, on the basis of the introduction, treats destruction of traditional movie aesthetics in digital technological aspect. Such propositions, appearing in the course of construction digital movie aesthetics, as reality, movie language, personal writing, visual theories as well as reception aesthetics are meticulously differentiated and analyzed in the second chapter. The special attention is given in the third chapter to discussing the situations of digital movie in China by conducting theoretical analysis of a large amount of digital movies aboard. In conclusion, the dissertation raises dialectical views of digital movie aesthetics, reconsidering its achievements and shortcomings.
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