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Aesthetic Inspection Of Chinese Digital Movie

Posted on:2011-07-18Degree:MasterType:Thesis
Country:ChinaCandidate:Z CaoFull Text:PDF
GTID:2155360305493933Subject:Literature and art
Abstract/Summary:PDF Full Text Request
Since the 70s of last century, the digital technology has spread its application to all areas of human life with impossible and unpredictable speed. As the "seventh art", films were under the guidance of digital technology, carrying people's minds and wisdom, burst out more brilliant dreams and imagination. Digital technology has created spectacular audio-visual feast times and times again, and the marvelous sight phantom attracted the audience overwhelmed. Movie text and language elements were changed according to the digitized time, which gave birth to the adjustment of the form of film aesthetics and aesthetic tendencies.This article bases on the traditional Chinese esthetics angle to refine this impact on Chinese film. After cleaning up concepts of digital,digital technology as well as development process both in domestic and foreign digital technology in film, we select several typical Chinese traditional aesthetic paradigm as the basis to investigate how digital technology reflects China's unique cultural values and aesthetic experience. For example, under the guidance of digital imaging technology, the spectacle of rhetoric creates enchanting scenery where people can be harmonized with the nature; audio and video describes the rhythm of lively artistic conception, visual—reality leads multi-dimensional conversion in which time and space can combine.We take the digital technique as the double-edged sword and reconsider its negative effect which brings to the Chinese tradition esthetics of film produce. Such as the technicism principle damages humanities and life connotation in movies, "effect esthetics" dispels the reality subject which Chinese movie richly contained, the audio-visual gluttony is twisting the Chinese narrative tradition in Chinese movie which is developed from the concept of "the cinema" and so on. Bases on dialectically analyzing the pro and con two aspects, we hope that the Chinese movie can carry on more globalized development in the digital technique times. We will make endeavor to deepen and enrich the cortical research of aesthetic theory of the digital film.
Keywords/Search Tags:Digital Technology, Chinese Movie, Aesthetics Survey
PDF Full Text Request
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