The Study Of The Third Scherzo Of Chopin

Fryderyk Chopin(1810—1849),one of the most original artists the great great pianist and compose in Poland in the Romantic ages,is the first real outstanding Piano—Poet composer. He created the most ideal keyboard style in the Romanticism of 19^th century.The word of banter is stemmed from the literary terms that the original idea of "scherzo" in Italian is joke, it has be reflected on early in the folk other artistic before used in front of the music domain.Its style characteristic is dexterous, humorous and composed by three teats, the banter is established officially as one kind of literaturestyles in the 18th century. Gradually the banter becomes the large-scale composition for instrument and unceasingly expands to one kind of independent literature style in the scale and the structure.The first, the paper instroduces the origin and early developmentof banters and analyses banters nature of Haydn and Beethoven's work.Quick gradually, dynamics change suddenly, adjusts the change frequent music literature style form is developped from Beethoven's banter.It does't appears as a independent music movement, But the upholstery is created in the scale and ideas for afterwards Chopin to banter.The second part of the paper is the musicology analysis of the third banters tune of Chopin.In this part,the music of Chopin is analyzed from the macroscopic, the intermediate perspective and the microscopic. I attempts to seek the spiritual of the Chopin's banter and in-depth reason of music homing instinct emotion Chopin highly .Through above analysis,I will carry on the crosswise comparative analysis on the styles of Chopin's banter from other banters of Chopin,the Mazu card and Polo.At the last part of the paper,it is analyzed on the spiritual of Liszt' banter and the later period development of banters in China.